Etruscan Bucchero Kantharos Cup

The vessel with integral round-section upward-facing handles, a third, round-section handle placed vertically between shoulder and upper neck to rear; laurel sprigs to the neck with traces of gilding; combat scene with Amazons (and Trojans?) below, armed with short swords and crescent shields, most wearing an exomis leaving the shoulder and one breast uncovered; volute palmettes below both side-handles, a panel of tiered and swirling volutes to the rear, all on a band of egg-moulding, repeated around the rim; possibly Apulian or Campanian; restored. 3 kg, 46 cm high



Ex collection Woodyat, Rome, Italy, 1912. with Vente Genève, 24 & 25 June 1960. Private European collection. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11581-199028.

The mythological topic of this hydria is fascinating, representing a fight between Amazons and Greek or Trojan heroes (suggested by the central cavalryman wearing a Phrygian cap). During this period, Amazons were no longer represented as Persian or Scythian warriors, as in Attic red-figure ceramics, but depicted as athletic parthenoi and wearing chitons. Rather than oriental costume and armour, the Amazons wear a short exomis with a bare shoulder and breast (Patten, 2013, PI.VI, I, VI,2, 2 and 3).

Both figures represented facing with bare chests, Aphrodite sitting next to the triton and holding himation over her head with her right hand, her right leg raised and the left extended, the lower part of her himation covering the lower half of her body; the lower part of Triton’s body covered by marine foliage, from which the long serpentine tail emerges on the opposite side next to Aphrodite's right leg; possibly from Asia Minor; repaired. 688 grams, 18 cm high



Ex French Sorbonne archaeology professor (deceased); 1960s-2000s. Accompanied by an original thermoluminescence analysis report no.QED2323/FG-0201 from the QED Laboratory, Marseille, France.

Many of the Smyrna and Myrina figures are feminine, the heads modelled in late Hellenistic style. The bodies are often either draped in Tanagra-style robes, or represented as figures of Aphrodite, draped, semi-nude or naked. The association with Triton is linked with the Greek myth of Aphrodite born from sea foam.

Blackware squat cup with applied vertical flanges and lugs to the body. low everted rim, lateral strap handles with median gusset; restored. 323 grams, 16 cm wide



From the Steel family collection, 1950s-late 1990s.