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_900x900.jpg "Etruscan Bronze Statue of a Satyr")
_200x200.jpg "Etruscan Bronze Statue of a Satyr")
_900x900.jpg "Etruscan Bronze Statue of a Satyr")
_200x200.jpg "Etruscan Bronze Statue of a Satyr")
.jpg "Etruscan Bronze Statue of a Satyr")
.jpg "Etruscan Bronze Statue of a Satyr")
LOT 0101
Etruscan Bronze Statue of a Satyr
CIRCA 6TH CENTURY B.C.
8 in. (679 grams total, 20.4 cm including stand).
Modelled in the round in energetic pose with left hand resting on the hip and right arm raised, head tilted slightly upwards, tail curled gracefully over the rump; on a square base with papyrus stalk detailing; on a later gilt-metal stand mounted on a polished stone cube.
ProvenanceIris Cornelia Love (1933–2020), New York, collection primarily formed in the 1950s-1970s.
PublishedHannegan, B., Classical Antiquities from the Collection of Miss Iris Love, Durham, North Carolina, 1965, no.8, illustrated.
Exhibited: Durham, Duke University, The Art Department Gallery, Classical Antiquities from the Collection of Miss Iris Love, 25 January–24 February 1965.
Cf. similar figure in the Metropolitan Museum of Art, object number: 1972.118.72.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 0101
Etruscan Bronze Statue of a Satyr
Estimate £4,000 - 6,000€4,640 - 6,960 (for guidance only)$5,400 - 8,100 (for guidance only)
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Greek Solid Gold Ring Idol
5th-4th millennium B.C.Sold for (Inc. bp): £2,730
Annular in form with pierced tab. 0.66 grams, 18 mm
Private collection, acquired in the late 1980s-early 1990s; thence by descent.
During the Greek Neolithic, certain types of ornaments share common morphological characteristics; one such example is the so-called ‘ring-idols’. The prototype of these ring-shaped pendants seems to have been made out of gold, which began to be used during these late phases of the Neolithic in Greece and the Balkans, in general. -
Phoenicio-Punic Terracotta Oil Lamp
Circa 3rd-2nd century B.C.Sold for (Inc. bp): £52
A triangular body with a narrow spout and two filler holes at the sides. 75 grams, 86.6 mm
From the private collection of Mr Brian Edwards, New Malden, Surrey, UK, formed from the late 1970s-early 1980s; thence by descent. Accompanied by a collector's data information card with collection reference no.119. -
Greek Terracotta Black-Figure Oinochoe with Fighting Warriors
Attic, late 6th century B.C.Estimate: £25,000 - 35,000 (‡+bp*)
Opening Bid: £12,500
With flared foot, ovoid body, tapering neck and scooped trefoil mouth; tall gusseted strap handle to the rear; painted frieze of a phalanx of hoplites wearing crested helmets and bell-shaped armour with round aspis and eight-shaped (Boeotian) shields, knemidai greaves, long spears and scabbarded swords. 487 grams, 23.2 cm
Private Swiss collection, 1980s. Acquired on the European art market, 1992; thence by descent. Accompanied by an academic report by Dr Jacques Chamay. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13220-249241.
The scene depicts a succession of warriors, marching to the left at a rapid pace. Closely packed, one behind the other, they are confined within the figurative field and extend well beyond the upper and lower edges. It is a scene taken from the Homeric poems. The style of the oinochoe is characterised by the abundant use of thick white and burgundy highlights, resulting in a striking polychrome effect. There is a tendency to extend the figures beyond the frame, due to the subject being too ambitious for the available surface. The chequerboard motif on the neck is a very rare decorative motif. The vase's importance is reinforced by its exceptional state of preservation.
