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LOT 0049
Etruscan Bronze Figure of a Kouros
LATE 6TH CENTURY B.C.
4 3/8 in. (118 grams, 11.2 cm).
Depicting a youthful nude kouros standing frontally, with a long, slender body, broad shoulders, a narrow waist, and arms hanging close to the sides; the head, slightly oversized, characterised by an oval face, large almond-shaped eyes, an Archaic smile, and finely modelled ears, the hair arranged in beaded locks framing the forehead and falling onto the shoulders, reflecting the influence of contemporary Greek Archaic sculpture; standing on an integral rectangular base provided with a long tang for attachment.
ProvenanceAcquired on the European art market between 1960s and 1980s.
English private collection, property of a gentleman.
Bertolami Fine Art, London, Auction 54, 9 November 2018, no.88.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13320-258214.
See for closely comparable examples, including the kouroi from Talamone (circa 540–530 B.C.) and Fonte Veneziana (circa 530–510 B.C.), both preserved in the National Archaeological Museum of Florence; Salskov Roberts, H., Catalogue of the Sardinian, Etruscan and Italic Bronze Statuettes in the Danish National Museum, 2021, cat. 4, inv. no. 4807, for the type.
FootnotesThe elegant proportions and linear modelling place the statuette within the widespread production of Etruscan votive bronzes of the Late Archaic period, probably intended as a sanctuary dedication.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 0049
Etruscan Bronze Figure of a Kouros
Estimate £2,000 - 3,000€2,320 - 3,480 (for guidance only)$2,700 - 4,050 (for guidance only)
Opening Bid
£1,000 (EUR 1,160; USD 1,350) +BP*
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Greek Red-Figure Bell Krater with Eros
Apulia, 4th century B.C.Estimate: £3,000 - 4,000 (+bp*)
Bids: 2 | Current Bid: £2,400
With flared and carinated foot, broad stem, ovoid body, carinated shoulder, everted rim with lip, D-shaped antefixes and lateral pendant loop handles; band of ivy to the neck and meander to the lower edge, frieze with figural scenes: Side A - seated female with thyrsos pointing towards Eros with head turned regarding her, wings spread; Side B - seated female in tiered robe pointing towards standing Eros with wreath, objects in the field; by the Ascoli Satriano Painter; restored. 1.81 kg, 33.5 cm
Ex private collection, previously with Bonhams, Bond Street, London, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13353-259030.
Female heads and Eros figures are common features on the vases attributed to the Ascoli Satriano Painter. His real name is unknown, and he has been named after a northern Apulian town, where many of his vases have been found. -
Greek Bronze Fitting with Fox
Circa 5th century B.C.Estimate: £150 - 200 (+bp*)
Bids: 1 | Current Bid: £5
L-shaped bracket with a leaping fox, the beast with an elongated muzzle and swept-back ears. 46.7 grams, 62 mm
From the private coin collection of a West London, UK, gentleman, formed since the mid 1980s. -
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Etruscan Carnelian Scarab with Bust of a Warrior in Later Victorian Gold Brooch
5th-4th century B.C. and laterEstimate: £2,000 - 3,000 (+bp*)
Bids: 1 | Current Bid: £1,000
The scarab with anatomical detailing on the carapace, underside with a profile bust of a helmetted warrior; set in a later brooch frame with swivel mount for the scarab. 10.35 grams, 55 mm
Acquired on the European art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13358- 257891.
Egyptian-style scarabs and scaraboids were characteristic of Etruscan art from the 8th century B.C. Originally made in Phoenicia, Cyprus or Rhodes, these objects were made of faience, blue paste, glass paste, bone, or semi-precious stones of varying hardness, from steatite to quartz, onyx and jasper. Mounted in settings on revolving pendants of precious metal, later imitated by Etruscan goldsmiths, these Egyptianising items performed prophylactic-religious functions.
