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LOT 0326
Ethiopian Triptych Icon with Mary and John the Evangelist
16TH CENTURY A.D.
14 x 8 1/2 in. (760 grams, 35.5 x 21.5 cm).
A wooden triptych with recessed central panel and two folding doors; the central panel with crucifixion scene with robed Mary and John the Evangelist, another apostle and Mary Magdalen, two crucified thieves to the rear and the angels depicted collecting the blood of God in cups; underneath the Crucifixion scene Virgin Mary and the Child escorted by armed Saint Gabriel and Saint Michael, prophets to the sides; the left door with nude Adam and Eve reaching up to the Resurrection of Christ, beneath them three prophets; the right door with two saints (upper panel) and three prophets; left and right bottom panels with Saint George (Bet Giorgis) and military Saint Victor on horseback; Ethiopian Ge'ez script legends.
ProvenanceAcquired on the London art market, 2003.
UK private collection.
See Chojnacki, S., Major Themes in Ethiopian Painting, indigenous developments, the influence of foreign models and their adaptation, from the 13th to the 19th century, Wiesbaden, 1983, pp.172ff, fig.162, for a similar triptych.
FootnotesThe icon shows the Western influence on Ethiopian art. The first element is the orb which the Child holds in his left hand and the second element is the pose of his right hand. The orb appeared in Ethiopian paintings around 1500 A.D. Moreover, his hand shows two fingers outstretched, the index and middle finger, and the two last fingers folded.
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AUCTIONS:
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LOT 0326
Ethiopian Triptych Icon with Mary and John the Evangelist
Sold for (Inc. bp): £1,040
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Roman Style Artefact Group
20th century A.D.Sold for (Inc. bp): £111
A mixed group of ancient Roman style artefacts comprising: a sestertius of Antoninus Pius, probably a replica; a cameo gemstone displaying a female bust on profile left; a discoid cameo stone displaying a winged cherub; a gold ring composed of a double-loop band with openwork centre, discoid bezel decorated with polychrome glass beads mounted around a central gold foliate sheet. 37 grams total, 19-30 mm
Family collection formed before 1980. Ex property of a Richmond gentleman. -
Stuart Period Silver Cross Pendant
Circa 17th century A.D.Sold for (Inc. bp): £182
A silver pendant formed as a cross bottony with integral suspension loop, low-relief facing Corpus Christi within a hatched border. 6.4 grams, 44 mm
Acquired in the late 1990s-2000. Property of an East London gentleman. -
Life-Size Draped Statue of Venus
19th century A.D.Estimate: £3,000 - 4,000 (+bp*)
Opening Bid: £1,400
A life-size marble upper body of a young female figure, likely the goddess Venus, shrouded in a palla mantle worn over the robe and draped over the head as a hood; the left arm bent to form folds and gatherings in the cloth, the right arm shown beneath the cloth held bent to the right breast. 133 kg, 84 cm high
French collection, 1960s-early 2000s. From an important Paris gallery, France. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11687-199355.
In Roman mythology, Venus was the goddess of love, sex, beauty and fertility. Married to the god Vulcan, Venus' principal divine lover was Mars, with whom she was famously trapped in bed with a net by Vulcan. The goddess also had numerous mortal lovers - Adonis for example. The earliest known appearance of a temple dedicated to Venus was founded on the Aventine Hill in 295 B.C. She is most closely associated with the month of April, the beginning of the season of spring.
