LOT 4279
England. Norman, Henry I AR Penny. Struck circa 1105. Norwich mint; Howorth, moneyer. Annulets and Piles type (BMC iv).
✠ ҺEИRIC RE (ИR ligate), crowned facing bust, holding sceptre / ✠ ҺO[PAR?]D ON NORP (N N ligate), quatrefoil, with annulet at centre and within each limb. North 860; SCBC 1265. Very Fine. Extremely rare combination of mint and moneyer.(1.29gr, 18mm, 7h.).
ProvenanceAcquired on the UK art market in the 1980s.
From an East Anglian private collection.
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LOT 4279
England. Norman, Henry I AR Penny.
Estimate £1,000 - 1,400€1,160 - 1,620 (for guidance only)$1,350 - 1,890 (for guidance only)
Opening Bid
£500 (EUR 580; USD 675) +BP*
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England. Norman, William I 'the Conqueror' AR Cut Halfpenny. Struck circa 1070-1072. Uncertain mint; Os[...], moneyer. Canopy type (BMC iii).
Estimate: £100 - 140 (+bp*)
Opening Bid: £55
✠ PI[...], crowned facing bust within canopy of two columns / ✠ OS[...]ÐEÐI, double quadrilateral, with incurved sides, annulet at centre, and fleur at each limb. North 843; SCBC 1252. 0.66gr, 19mm, 5h.
Good Very Fine. Toned.
From a UK collection formed in the 1980s. Property of an Essex, UK, gentleman. -
England. Norman, Stephen AR Penny. Struck circa 1154-1158. Uncertain mint; Edward(?), moneyer. Cross Pommée (Awbridge) type (BMC vii).
Estimate: £100 - 140 (+bp*)
Opening Bid: £5
Illegible inscription, crowned bust to right, holding lis-tipped sceptre / ✠ EDPA(?)[...]R, voided cross within quatrefoil, with inward-facing fleur in each quarter. North 881; SCBC 1282. 0.81gr, 20mm, 12h.
Good Fine. Edge chipped.
From the private collection of a Sussex, UK, gentleman. -
England. Norman, Henry I AR Penny. Struck circa 1105. Norwich mint; Howorth, moneyer. Annulets and Piles type (BMC iv).
Estimate: £1,000 - 1,400 (+bp*)
Opening Bid: £500
✠ ҺEИRIC RE (ИR ligate), crowned facing bust, holding sceptre / ✠ ҺO[PAR?]D ON NORP (N N ligate), quatrefoil, with annulet at centre and within each limb. North 860; SCBC 1265. 1.29gr, 18mm, 7h.
Very Fine. Extremely rare combination of mint and moneyer.
Acquired on the UK art market in the 1980s. From an East Anglian private collection.
