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LOT 1423
Elizabethan Period Ceramic Fire Brick Group
CIRCA 16TH CENTURY A.D.
5 1/4 - 5 3/4 in. (5.12 kg total, 13.5 - 14.5 cm).
Each differently sized and displaying a design in relief, including elaborate floral motifs, heraldic lion within lozenge and heraldic shields. [4]
ProvenanceAcquired 1990s-early 2000s.
East Anglian private collection.
Cf. similar specimen in the British Museum, inventory no.OA.9377.
FootnotesThese glazed stove or floor tiles are similar to the ones of the great hall and the Tudor kitchens at Hampton Court Palace, made of ceramic, with a glaze to make it hard-wearing and washable. Not just the furnishings, but the palaces themselves were multi-coloured, with brick walls painted red, and exposed timbers in yellow, red, green and white.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Large Russian Virgin of Vladimir Icon
Circa 1860 A.D.Estimate: £5,000 - 7,000 (+bp*)
Opening Bid: £2,500
Depicting nimbate Mary Theotokos with veiled head and wearing a maphorion mantle over a dark blue robe with gold cuffs, inclined towards the infant Jesus supported by her right hand, his left arm wrapped around her neck and the right hand resting on her chest; gilt field and border with colourful enamelled detailing to the corners, roundels and rectangles with monograms and titling, on each side of her head 'ΜΡ ΘΥ' (Μήτηρ (τοῦ) Θεοῦ = Mother of God), over her left shoulder Cyrillic inscription 'Влади́мирская Б.М.' (Vladimir Mother of God), over the child inscription in Greek letters 'ΙϹ ΧϹ' (ΙΗϹΟΥϹ ΧΡΙϹΤΟϹ = Jesus Christ), three letters (only two visible) inside the nimbus of Christ representing the continuous divine self-existence of Christ as God ('O ѾN' = The Only One who always exists); Moscow School. 6.5 kg, 56.5 x 46 cm
Fine condition.
Ex property of a London lady, part of her family's collection. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no. 11543-196361.
This splendid specimen was probably originally housed in an aristocratic Russian home. The icon of the Virgin Mother of Vladimir with the infant Jesus (the original preserved in the Tretyakov Gallery, Moscow), probably the most famous icon of all of Russia, was thought to have been created in Constantinople in the early part of 1100s. This image is sometimes referred to as the ‘tenderness icon’, with artists attempting to show the close relationship of mother and son with their cheeks touching as they embrace. -
Tudor Period Tinned Bronze Signet Ring with Armed Soldier
16th-17th century A.D.Sold for (Inc. bp): £208
With a flat-section hoop, expanding shoulders with incised motifs; oval bezel with a soldier standing amidst tall grass, holding a pike in his right hand and a short sword in his left hand. 4.18 grams, 21.94 mm overall, 19.55 mm internal diameter (approximate size British T, USA 9 1/2, Europe 21.26, Japan 20)
Private collection formed since the 1940s. UK art market. Property of an Essex gentleman. -
Large Egyptian Revival Painted Stone Plaque
20th century A.D.Sold for (Inc. bp): £72
A substantial decorative designer frieze panel with high-relief figure of Osiris seated in profile wearing the atef crown, segmentee collar and short cape, pleated kilt; in his hands the symbolic crook and flail; seated on a rectangular throne with banded detailing; hieroglyphs in the field; after the antique. 34 kg total, 54 cm
From a French collection, Paris. Ex Parisian gallery, France; latterly with a London, UK, gallery.
