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LOT 1951
Elizabethan Period Ceramic Fire Brick Group
CIRCA 16TH CENTURY A.D.
5 - 5 1/2 in. (7.7 kg total, 13-14 cm).
Comprising four bricks displaying raised designs: a crowned shield; two displaying armorials flanking an object with tiered base; facing male and female bust within roundels, swags around. [4]
ProvenanceAcquired 1990s-early 2000s.
East Anglian private collection.
Cf. similar specimen in the British Museum, inventory no.OA.9377.
FootnotesThese glazed stove or floor tiles are similar to the ones of the great hall and the Tudor kitchens at Hampton Court Palace, made of ceramic, with a glaze to make it hard-wearing and washable. Not just the furnishings, but the palaces themselves were multi-coloured, with brick walls painted red, and exposed timbers in yellow, red, green and white.
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Post Medieval Pottery Group
Circa 16th century A.D. and laterSold for (Inc. bp): £52
Comprising glazed and unglazed vessels, figures and tiles, including examples decorated with figural, geometric, floral and heraldic designs (Beauvais Sgraffito), together with a fire brick displaying a Pelican in Her Piety design. 7.7 kg total, 3.8-43 cm
Acquired 1990s-early 2000s. East Anglian private collection.
In medieval Southampton the various forms of pottery included cooking pots with the beaded rim and opposing pair of handles, as it was probably also the specimen presented in this ensemble. Beauvais earthenware is a smooth, fine white fabric with some fine quartz grains. Vessels have a rich lustrous lead glaze and floral designs. -
Post Medieval Bronze Button Group
18th-20th century A.D.Sold for (Inc. bp): £26
Comprising buttons of various sizes and dates, most retaining their attachment loops and including many displaying decorative motifs. 1 kg total, 11-37 mm
Found Berkshire, UK. -
Stuart Period Silver Charles II and Katherine of Braganza Wedding Cufflinks
17th century A.D.Sold for (Inc. bp): £91
Button links with flaming hearts over crossed arrows joined by an oval loop. 2.17 grams, 21 mm
Acquired on the UK art market. Property of a Somerset collector, UK, since at least the early 2000s.
Cufflinks and other dress fittings such as buttons featuring the hearts design were originally conceived to commemorate the marriage of king Charles II of England to Catherine of Braganza in 1662, although various designs continued as a general symbol of love and/or marriage.