Egypto-Roman Seated Limestone Statuette of Bes

In brownish-black and white faience with black detailing, depicted wearing a round wig featuring a side-lock, the white face displaying eyes, eyebrows, nostrils, and a short beard in black; the arms crossed, and the white-glazed hands (one missing) holding hoes; a slightly raised white-glazed frontal panel containing a column of hieroglyphic text reading: 'The Osiris, the sem (priest), the King's Son, Khaemwaset, True of Voice'. 103 grams, 12.7 cm



Acquired on the UK art market, 1990s. Private collection, New York, USA.

Khaemwaset was the fourth son of Ramesses II, born to Queen Iset-Nofret. In addition to serving as the Sem-priest of Ptah at Memphis from an early age, he held various titles related to the Memphite cult, including High Priest of Ptah. The side-lock featured on all of Khaemwaset's shabtis is associated with his priestly role. Many shabtis of the prince are known, with the largest single group coming from the Serapeum at Saqqara; however, others have been found in numerous other locations. Since Khaemwaset's tomb has yet to be discovered, it appears that most of the known shabtis may have served as votive offerings in the sacred areas of the Memphite necropolis. His faience shabtis come in various colours, including green, blue, white, and black, and range in size from just under 10 cm to 15 cm in height. The distinctive glaze combination of this example, featuring a raised white-glazed panel contrasting with the darker body colour, is also found on some other 19th Dynasty shabtis (Cf. Janes, G., The Shabti Collections 3: Rochdale Arts & Heritage Service, Cheshire, 2011, pp.1-5, for those of Userhat from Sedment).

Modelled standing with arms held vertically at his sides, wearing a tripartite wig surmounted by a lotus flower flanked by scrolled leaves; dorsal pillar with low-relief image of Sekhmet in lioness-headed form and solar disc above; mounted on a custom-made stand. 480 grams total, 19.5 cm high including stand



with Art Ancient, London, UK. Private collection, London, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13352-257009.

Nefertum is often depicted with a prominent lotus blossom above his head, symbolising both his divine beauty and his connection to the sun's rejuvenating power. He is sometimes portrayed with a lion's head or a lioness’s mane, or, as here, accompanied by an image of his lioness mother, Sekhmet, on his back, emphasising his link to her fierce and healing powers.

Conical in profile with narrow foot; old collector's notation to underside: 'Found by Petrie location Ballas and Naqada in 1895'. 375 grams, 15.5 cm wide



From the collection of David Donlan (1947-2025), a dedicated and lifelong collector with a passion for the ancient world and the natural sciences, forming his collection from 1960s onwards, using many reputable dealers across the United Kingdom, including the well-regarded Coincraft and The Parthenon Gallery.

Naqada (ancient Nubt) is situated on the west bank of the Nile, and is the type-site for the Predynastic period (Naqada I–III). It was a major centre of trade, craft production, and the process of unifying Egypt. Ballas is situated on the east bank opposite Naqada, and contains important Predynastic and Early Dynastic cemeteries excavated extensively by Flinders Petrie and James Quibell in conjunction with their work at Naqada. Their report was published in 1895.