Egypto-Phoenician Haematite Scaraboid Seal

Comprising a group of crumb-decorated polychrome oblate beads and a centrepiece pendant formed as a stylised bearded head. 179 grams total, 12-42 mm



From the collection of a gentleman, acquired on the London art market in the 1990s.

The Phoenicians, renowned seafarers and traders, were also skilled glassworkers. They produced a wide variety of glass beads using core-forming and winding techniques, with vivid colours and elaborate designs that reflect both technical mastery and cross-cultural influence. Among the most iconic Phoenician beads are glass 'head' beads, crafted in the form of stylised human or mythological faces. Typically, they feature exaggerated facial details like bulging eyes, large noses, beards, and headdresses, often with expressive or comic features. They were possibly worn as amulets to ward off evil or attract protection, though they may also represent deities, ancestors, or foreigners. These beads often incorporate Egyptian, Greek, and Near Eastern stylistic elements, reflecting the Phoenicians’ extensive trade networks.

Four-stranded designer necklace composed of polychrome beads of mainly disc and cylindrical types. 27 grams, 81 cm long



Acquired before 1979. From the private collection of Mr F.A., South Kensington, London, UK; thence by descent 2014.

For thousands of years, artisans in Egypt created vibrant ceramics to echo the beauty of rare jewels. These ornaments were created with almost every material, colour, and texture imaginable, and they come from across Egypt and beyond: vibrant blue lapis lazuli from Afghanistan, glossy black obsidian from Turkey, and aqua-green turquoise from the Sinai. They were worn in life and, after death, they served as precious ornamentation for mummies.

Pale yellow, turquoise, and blue faience seated cat figures, each shown on a base plinth and with a suspension loop behind the head. 83 grams total, 47-52 mm including stands



Collection of a Lady, circa 1940. From a specialist collection.

In ancient Egypt, the cat was revered as the sacred animal of the goddess Bastet, whose main cult centre was Bubastis in the Nile Delta. Although cats were once part of folk customs, their formal worship expanded across Egypt during the Late Period. Bastet was closely connected to lion-headed goddesses such as Sekhmet, Tefnut, and Pakhet, and the cat itself became linked to solar imagery: the Book of the Dead depicts the sun god as a Great Cat defeating Apophis beneath the sacred Ished Tree. The cat could also represent the Eye of the Sun or, more commonly in Bastet’s case, the Eye of the Moon. Mummified cats were often offered as votive offerings, and some were decorated with finely crafted bronze heads to emphasise their divine likeness.