Egypto-Phoenician Glass Scaraboid with Beast-Tamer

Discoid receptacle with a military saint in Roman armour (Saint Menas), with muscular cuirass and pteryges, arms open in the manner of the orans pose, animals (camels?) on his side. 198 grams, 89 mm



Maurice Bouvier, Alexandrie, prior 1959. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The majority of the terracotta ampullae come from Egypt and bear representations of St. Menas or Mennas, an Egyptian Christian officer decapitated during the persecutions of Diocletian's time. The legend relates that the saint's body was placed upon a camel which was let loose to follow what course it chose; in the place where the camel stopped, some miles from Alexandria, a grave and a shrine were subsequently built. In allusion to this legend, St. Menas is often represented as standing between two camels, though the animals are often of so fantastic a form as to be very difficult to recognise.

The headless deity, possibly Harpocrates, seated on a throne, forearms resting on thighs and flanking a protruding phallus, wearing a medallion around the neck; mounted on a custom-made display stand. 280 grams total, 97 mm including stand



The Erotica Collection Christian von Faber-Castell, Küsnacgt ZH, Switzerland, since the late 1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Figural plaques of ithyphallic Harpocrates seated on a block seat with forearms on thighs and hands each side of a projecting phallus were rare types from Naukratis, Temai el-Amohel. They can be dated to the early Hellenistic Period, circa 330 B.C. Christian von Faber-Castell (born 1950) is a renowned German entrepreneur and art collector, best known as a member of the prominent Faber-Castell family, famed for their iconic writing instruments. A passionate advocate for art and culture, Christian von Faber-Castell curated an extensive and diverse private collection of erotica, spanning centuries and cultures. His collection reflects a deep appreciation for the interplay of beauty, sensuality, and artistic expression, bringing together rare and unique works that explore themes of intimacy and human connection. Pieces from this collection have been featured in notable exhibitions and are celebrated for their artistic and historical significance. This offering represents a rare opportunity to acquire works from one of the most fascinating and eclectic private collections of its kind.

With linear detailing to wings, raised eyes, suspension loop above the head. 1.28 grams, 20 mm



From an early 20th century collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Small fly amulets first appeared in burials during the Naqada II Period, c. 3200 B.C. These amulets grew in popularity and the materials used to make them expanded during the New Kingdom. They are crafted from a variety of materials such as gold, silver, lapis lazuli, carnelian, amethyst, faience, and bone. These amulets were thought to protect against insect bites and to ward off troublesome flying creatures through apotropaic magic. Some believe they may have even been intended to symbolise the fly’s fecundity. Additionally, pharaohs would bestow gold fly-shaped pendants as military awards to honour the bravery and fly-like persistence of soldiers in battle.