Egypto-Phoenician Agate Scarab

Lentoid body with segmented collars and blue detailing around the shoulders, neck with papyrus stalk detailing and a domed rim; addorsed stylised baboons flanking the neck. 263 grams, 16 cm



Acquired on the UK art market, 1990s. Private collection, New York, USA. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13350-255452.

The concept of renewal is expressed through the form, decoration, and inscriptions of this type of flask. Their rounded bodies evoke the sun disc, symbolising daily rebirth, while the squatting baboons flanking the mouth allude to those that greeted the rising sun each morning. The blue collar decoration, including floral motifs, as seen here, symbolises the renewal of the agricultural cycle through the annual Nile inundation. The papyrus-capital spout reinforces this theme of regeneration. Although traditionally dated exclusively to the 26th Dynasty, examples recovered from Late Period and early Ptolemaic contexts indicate that their popularity actually endured for several centuries.

Miniature alabsatron with ovoid body and flared rim to the mouth; collector's inked number '1' inside mouth; rim chipped. 22 grams, 41 mm



From the collection of David Donlan (1947–2025), a dedicated and lifelong collector with a passion for the ancient world and the natural sciences, forming his collection from 1960s onwards, using many reputable dealers across the United Kingdom, including the well-regarded Coincraft and The Parthenon Gallery.

Modelled with a rounded wig and sidelock; painted black detailing to the eyes, lips, collar and agricultural tools held in the crossed hands; painted vertical panel to lower body with hieroglyphic legend “The illuminated one, the Osiris, the sem priest, the great director of craftsmen, Hor, justified” (sḥḏ wsı͗r sm wr ḫrp(w) ḥmw(w)t ḥr mꜣꜥ-ḫrw); repaired. 146 grams, 13.8 cm



Acquired on the UK art market, 1990s. Private collection, New York, USA.

Although the inscription names the owner as Hor, it seems likely that this shabti was made for a high official named Hori. Several sem priests named Hori are known. It seems plausible that this shabti belonged to the Hori who was the son of Prince Khaemwaset, son of Ramesses II, since a similar example was found alongside those of the prince in a chamber in the Serapeum (Mariette, A., Le Sérapéum du Memphis, Paris, 1857, pl. 10).