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LOT 0002
Egyptian Wooden Shabti
NEW KINGDOM, 19TH DYNASTY, 1293-1185 B.C.
10 5/8 in. (332 grams, 26.9 cm).
Carved in the round with detailed tripartite wig, hands crossed at the chest; some painted and gilded(?) plaster surface; mounted on a later base.
ProvenanceFrom the collection of Mrs Kilvert, who fled from France to England during the French Revolution.
Received by gift to the Hodge family from Mrs Kilvert at Bath in 1864-1865; thence by descent to the grandchildren of Mr John Hodge, a private London tutor.
From the collection of a New Zealand family; thence by descent.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12846-239090.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Janes, G., The Shabti Collections 5: A Selection from the Manchester Museum, Lymm, 2012, p.64, for a shabti with a similar decorative arrangement.
FootnotesA shabti, also known as ushabti or shawabti, is a small funerary figurine found in ancient Egyptian tombs, dating from around 2000 BCE to 30 BCE. Its main purpose was to serve as a servant for the deceased in the afterlife, carrying out manual tasks such as farming or irrigation. Shabtis were often inscribed with a magical formula from the Book of the Dead to ensure they would animate when summoned. The distinctive, lighter-coloured, and previously part-gilded upper body decoration, contrasting with the black used for the rest of the figure, may symbolise the moment of rebirth, when the face of the deceased was bathed in the sun's rays.
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AUCTIONS:
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Egyptian Basalt Statue Base For The Priest Hor-sa-aseti
Late Period, 664-332 B.C.Estimate: £4,000 - 6,000 (+bp*)
Opening Bid: £2,000
Fragment of the rectangular base of a statue, preserving an integral pair of feet on the upper surface; lower end of dorsal column inscription at the rear with two hieroglyphs; below, a horizontal band of hieroglyphic text extending onto both short sides including part of an offering formula for the ḥm-nṯr ı͗wnw-smꜤ ḥr-sꜢ-Ꜣstı͗ (the priest [of the] Southern Heliopolis [i.e., Thebes], Hor-sa-aseti); old collectors' labels on the underside; supplied with a custom-made wooden display stand. 1.37 kg, 12.9 cm (4.08 kg total, 25 cm including stand)
Private New York, USA, collection, 1970. Ex Adrian Burns, Columus, Ohio, USA, from an old estate collection. Ex Art for Eternity gallery, New York, USA. Ex Art Primativo, Auction 16, 2001, no.430. Ex private New York, USA, collection. Private collection, London, UK. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12832-240779. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Egyptian Silver Fly Amulet
Late-Ptolemaic Period, 664-30 B.C.Sold for (Inc. bp): £91
With detailing to wings and eyes, loop for suspension above the head. 2 grams, 24 mm
Ex London, UK, gentleman 1980-1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Considering that Egyptian artists often depicted fly whisks in the hands of pharaohs and high officials, one might assume that flies were merely a nuisance. However, the Egyptians held flies in high regard for their speed, quick reactions, and persistence. Small fly amulets first appeared in burials during the Naqada II Period, around 3200 B.C. These amulets gained popularity, and the materials used to make them varied during the New Kingdom. They were crafted from various materials such as gold, silver, lapis lazuli, carnelian, amethyst, faience, and bone. These amulets were believed to protect against insect bites and to ward off troublesome flying creatures through apotropaic magic. Some believe they may have even symbolised the fly’s fecundity. Additionally, pharaohs would bestow gold fly-shaped pendants as military awards to honour the bravery and persistence of soldiers in battle. -
Egyptian Bronze Oxyrhynchus Fish
Late Period, 664-332 B.C. or laterEstimate: £700 - 900 (+bp*)
Opening Bid: £350
Modelled in the round on a sledge attached by ventral and pectoral fins; with forked tail, a dorsal ridge, and a tapering nose, featuring recessed circular eyes to accept an insert, a horned sun disc headdress fronted by a uraeus, and a suspension loop behind. 203 grams, 11.5 cm
From the collection of a gentleman, acquired on the London art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
