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LOT 0002
Egyptian Wooden Shabti
NEW KINGDOM, 19TH DYNASTY, 1293-1185 B.C.
10 5/8 in. (332 grams, 26.9 cm).
Carved in the round with detailed tripartite wig, hands crossed at the chest; some painted and gilded(?) plaster surface; mounted on a later base.
ProvenanceFrom the collection of Mrs Kilvert, who fled from France to England during the French Revolution.
Received by gift to the Hodge family from Mrs Kilvert at Bath in 1864-1865; thence by descent to the grandchildren of Mr John Hodge, a private London tutor.
From the collection of a New Zealand family; thence by descent.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12846-239090.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Janes, G., The Shabti Collections 5: A Selection from the Manchester Museum, Lymm, 2012, p.64, for a shabti with a similar decorative arrangement.
FootnotesA shabti, also known as ushabti or shawabti, is a small funerary figurine found in ancient Egyptian tombs, dating from around 2000 BCE to 30 BCE. Its main purpose was to serve as a servant for the deceased in the afterlife, carrying out manual tasks such as farming or irrigation. Shabtis were often inscribed with a magical formula from the Book of the Dead to ensure they would animate when summoned. The distinctive, lighter-coloured, and previously part-gilded upper body decoration, contrasting with the black used for the rest of the figure, may symbolise the moment of rebirth, when the face of the deceased was bathed in the sun's rays.
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AUCTIONS:
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Egyptian Faience Amulet Representing Taweret
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Opening Bid: £150
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Private collection, Carouge, Switzerland, assembled in the 1980s-1990s. Thence by descent to the collection of Mr S.P., since 2020. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Egyptian Faience Standing Lioness Amulet
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Standing figure of lioness-headed goddess in a striding pose with arms at the sides, sporting a black coloured tripartite wig surmounted by the double-crown; dorsal pillar. 3.96 grams, 56 mm
Acquired on the UK art market during the late 20th century. From the private collection of David King (1940-2024), Hoddesdon, Hertfordshire, UK. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Throughout ancient Egyptian mythology, lion-headed goddesses played a significant role in the religious beliefs of the people. These goddesses, including Sekhmet, Wadjet, and Bastet, were revered as powerful and fierce protectors. Their presence was believed to ward off evil and safeguard the people from harm. -
Egyptian Blue Faience Sons of Horus Plaques
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Two rectangular plaques, each depicting one of the 'Four Sons of Horus' - Qebehsenuef and Hapi - shown mummiform, wearing a tripartite wig and broad collar, both pierced at the upper and lower edges. 26.8 grams total, 79-80 mm
Professor Haeberlin collection, acquired in Egypt in the late 19th century. Acquired by E.S., Germany, in 1962. Private collection of Mr K.A., acquired in the 1990s-early 2000s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The Four Sons of Horus were deities tasked with protecting the internal organs of the deceased. The human-headed Imsety safeguarded the liver, the baboon-headed Hapy looked after the lungs, the jackal-headed Duamutef defended the stomach, and the falcon-headed Qebehsenuef protected the intestines. Amulets featuring these deities were included within the mummy wrappings.
