Egyptian Wooden Shabti

A pale blue glazed mummiform shabti for an Imy-Khent priest, modelled standing on a rectangular base, arms crossed over the chest and holding a pick and a hoe, seed bag over the left shoulder, wearing a tripartite wig and false beard; two vertical columns of hieroglyphs to the front of the body, plain dorsal pillar; some of the hieroglyphs spelling the owner's name are poorly rendered, but appears to be Ba-ankh-sa-sobeky. 99 grams, 13.5 cm high



From a Worcester deceased estate. Property of a Cambridgeshire gentleman. Accompanied by an academic report by Egyptologist Paul Whelan.

Although the name of the shabti’s owner and, in particular, that of his parent, are rather unclear, the titles are clearly written and inform us that Ba-ankh-sa-sobeky served as an ‘Imy-khent priest’ associated with the Delta city of Mendes, where the principal deity was the sacred ram god Ba-neb-djedet (meaning ‘Ram, lord of Djedet’). The hieroglyph of the standing ram (Ba) forms the first part of the priest’s name. From the Late Period onwards the priestly title of the nearby city of Hermopolis Parva, ‘One who Separates the Two Gods’, also appears in Mendesian title strings, perhaps indicating that Hermopolis Parva and its religious cults had come under the control of Mendes; indeed, Mendes is thought to have been the capital of Egypt during the 29th Dynasty. The crocodile god Sobek was also worshipped at Mendes in later periods and Ba-ankh-sa-sobeky’s name appears to reflect both this reptilian deity and the traditional ram god of the city.

A restrung panel of small glazed composition beads in various colours representing a mummy face mask with false beard. 44 grams, 13 cm wide



Acquired 1990s. Ex Mariaud des Serres, Paris, France.

The practice of providing a bead mask as additional protection for the face of the mummy developed in the Late Period. The green beads used as the principal colour in the creation of the stylised face symbolise regeneration and re-birth. An example discovered at Esna in Upper Egypt and still attached to the face of a mummy is on display in the World Museum Liverpool (accession number 7.6.20.60).

An acephalic seated bronze nude statuette of Horus-Harpocrates, legs held together and arms by his side, semi-naturalistic anatomical detailing; cleaned. 993 grams, 22.5 cm high



Collection of Brugsch Pasha (1842-1930). with Hotel Drouot, Paris, 30 September 1997, lot 643. Ex property of Mr Naudy. Property of a French collector. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11601-198618. Accompanied by a scholarly note by Egyptologist Paul Whelan.

Horus, son of Isis and Osiris, was considered a solar deity who overcame darkness and defeated the chaotic forces of his evil uncle, the god Seth. Egyptian Pharaohs considered themselves to be reincarnations of Horus. In his youthful form, Horus the child embodies the new sun and all associated benefits. In Graeco-Roman Egypt he became Harpocrates, son of Serapis and Isis, the deity-symbol of rebirth and fertility, perhaps the most popular deity to be represented in Ptolemaic and Roman Egypt.