Egyptian Wooden Artefact Collection

Rectangular lid fragment with rounded upper corners, plano-convex in section; painted image of two jackals representing Anubis, the god of embalming, crouching above rectangular frames, probably tombs, with a sceptre held in its forepaws; remains of fixing pegs to the reverse. 268 grams, 26.5 cm wide



J.H.H. Claessen (1926-2006), Bladel, Netherlands. Acquired by the present owner from the above. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11944-209616.

Modelled seated on a tongue-shaped base, with simple facial detailing and suspension loop to the back. 0.52 grams, 8 mm



From an early 20th century French collection.

The goddess Bastet was believed to be the daughter of the sun god and was shown with the features of a lion up until about 1000 B.C. when she was portrayed as a cat or human with a cat head. As the daughter of Ra she was associated with the rage inherent in the sun god's eye which was considered to be his instrument of vengeance. Her development into a cat goddess occurred during the New Kingdom but did not fully develop until the Late Period. She was still associated with the destructive power of the sun and was shown on the prow of the solar boat, decapitating the evil serpent Apophis in the Book of the Dead. The maternal, protective and hunting characteristics of the cat are obvious in Bastet and she was seen as a protector of pregnant women and young children. In the Pyramid Texts she is invoked by the deceased king to act as his protector and to help him reach the sky to join the sun god; the king proclaims that Bastet is his mother and nurse. Like her counterpart, Sekhmet, Bastet has an aggressive side and, in a text from Karnak, Amenhotep II described his enemies being slaughtered like the victims of Bastet. The goddess had a shrine at Karnak, where she is known as the 'Lady of Asheru' which aligns her closely with the goddess Mut, the consort of Amun-Ra. Her most famous shrine was in the north-east Delta region, at Bubastis, and was known as Per-Bastet or 'the House of Bastet.' Herodotus describes the festival of Bastet as one of the most elaborate in all of Egypt and identifies her with the Greek Artemis. Cemeteries of cats have been excavated at Bubastis and at Saqqara and Memphis.

The bifacial upper part of a handle featuring Hathor, depicted with cow ears and wearing a heavy wig with characteristically curled lappet ends and a broad collar; on either side a uraeus, one of which is wearing the crown of Lower Egypt, the other the Upper Egyptian crown; remains of the sistrum cradle above. 146 grams total, 10.7 cm including stand



with Galerie Gunter Phuze, Kunst der Antike 4, Freiburg, 1982, no.335. German private collection H. W. (1931-2018), acquired 1982. Accompanied by a copy of an IADAA Interpol search certificate. Accompanied by copies of the relevant Galerie Gunter catalogue pages.

The sistrum was a rattle-like instrument played exclusively by women in religious ceremonies. The sound produced by the sistrum was believed to drive away evil and soothe a god's anger. Hathor is the daughter of the sun god Re, and in her role as a mother goddess is often depicted as a cow or with bovine characteristics as here. Hathor is also associated with love, music and dancing, and the sistrum is one of her sacred symbols.