Egyptian Translucent Carnelian Scarab

A vibrant blue-glazed mummiform shabti of princess Nesitanebisheru, daughter of Pinudjem II, on a custom-made display stand; modelled with arms crossed over the chest, holding a hoe in each hand, wearing a tripartite wig; netted seed bag painted on the back; the bottom half of the figure bearing eight columns of hieroglyphic text in black giving a version of the shabti spell reading: (1) The illuminated one, the Osiris Nesitanebisheru, she says: (2) ‘O this shabti, if one counts, if one reckons to do (3) for the Osiris Nesitanebisheru, to cultivate the fields, (4) to irrigate the riparian lands, to transport by boat the sand of (5) the east (to) the west and vice-versa – now indeed obstacles are implanted (6) therewith – as a man at his duties (to do for ?) (7) the Osiris Nesitanebisheru, to do all the works that are to be done (8) in God’s land at any time to serve, ‘here I am,’ (you shall say). 314 grams total, 16.5 cm high including stand



The object comes from the well known Deir el-Bahari cache (near Thebes) first discovered in 1870. Ex Zurich Antiquities Fair. Ex R. Liechti, Geneva, acquired from the above. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11598-198961.

Nesitanebisheru’s burial was discovered in the famous ‘Royal Cache I’ at Deir el-Bahari (DB 320), with many dozens of coffins and vast quantities of funerary equipment belonging to pharaohs, including Thutmose III and Ramesses II, queens, and other royals, as well as elite members of society that had been reburied by Amun priests to hide them from tomb robbers. Nesitanebisheru’s coffin and burial equipment, including her shabtis, were found at the very end of the c. 70m long tomb in a chamber which served as a family vault for her father, the High Priest of Amun, Pinudjem II, and his principal wife Neskhons. While her worker shabtis are all mostly similar in style with 6-8 text columns, the composition of their inscriptions are not consistent with different openings and variations to the content (often including several peculiarities). Curiously, her titles do not appear in her shabti inscription, unlike those for her mother.

A restrung necklace of composition beads of various types with polychrome glazes, together with a central scarab with seated deities to the base. 9.72 grams, 58 cm long



Ex early 20th century French collection.

A polychrome painted cartonnage foot-case from a cartonnage mummy with two stylised bare feet to the upper face, each with a ankle panel with the god Anubis in jackal form with a flail over the shoulder, framed by geometric borders which continue around the perimeter of the foot cover; soles of polychrome chequered sandals to base. 295 grams, 25 cm wide

Fine condition.

Ex UK art market, 1970s. Property of a London gentleman. Accompanied by an academic report by Egyptologist Paul Whelan.

Foot-cases like this were part of group of cartonnage adornments for a mummy, which usually comprised a mask, broad collar, stomach cover, leg section, and foot-case. For a complete set found on a mummy from Abydos see Scott III, G.D., Ancient Egyptian Art at Yale, Yale, 1986, pp.160-161.