Egyptian Terracotta Seated Torso

Modelled in the round in a striding pose wearing a tight-fitting robe and sporting the Red (deshret) Crown of Lower Egypt; eyes inlaid with silver, an elaborate ornamental collar to the chest; the right arm hanging at the side, the left arm bent at the elbow with hand clenched to accept a staff, possibly a papyrus sceptre; mounted on a custom-made stand. 162 grams total, 12.7 cm including stand



From a 1940s collection based on the base and remains of label verso. From the Keane private collection, Kent, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12479-229477. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Neith is one of the oldest ancient Egyptian deities with roots in the Early Dynastic Period. She is often depicted as a woman wearing the Red Crown of Lower Egypt and carrying a sceptre, symbolising her divine power. As a warrior and mother figure, Neith embodies creation, wisdom, and warfare. Her cult rose in prominence during the Ramesside Period as she became linked with the sun god. The primary centre of her worship was the city of Sais in the western Nile Delta, which became a significant religious and political hub during the 26th Dynasty (664–525 B.C.). Kings of this era claimed her as their protector and identified with her in royal titles.

Modelled in the round depicted in a seated pose with bold sidelock reaching to the shoulder; kilt to the thighs, D-shaped base beneath the feet, socket to the middle of the back; provided with a custom-made display stand. 146 grams, 12.2 cm (202 grams total, 13.7 cm including stand)



with Max Hagemann, prior 1964. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Harpocrates is the Greek rendering of the Egyptian Hor-pa-khered, which translates as 'Horus the Child', referring to Horus as the divine infant of Isis and Osiris.

Round-topped stela with decoration on two registers; the lunette, featuring a winged sun disc with pendant uraei; the main panel with a frieze in sunk relief depicting the pharaoh wearing the double crown, facing left offering the hieroglyphic symbol for 'fields'; a goddess stands behind him, possibly Isis, wearing a tight-fitting robe and sporting a tall two-plumed headdress, with one hand raised in praise; facing the pharaoh is the falcon-headed god, possibly Horus or Her-wer, wearing a double-crown, and behind him stands the ibis-headed Thoth wearing the Atef crown, both gods hold a was-sceptre; repaired, mounted on a custom-made stand. 19.45 kg total, 55 cm including stand



Acquired in the mid-1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12200-222172. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The overall tripartite composition is comparable to numerous stelae of the Ptolemaic Period and can be dated to the 3rd-2nd century B.C. The decorative lunette and/or sky bands and bold sunk relief winged sun disc are characteristic of this period, as is the fringed detailing of the female’s garment. The offering of the ‘field’ symbol is also a frequent depiction of the stelae of this period, which can be understood as a ‘catch-all’ device representing an offering of all the produce from the fields. Such stelae were often produced as stock products to which clients would have their names and other details added. Therefore, the stela is likely an example of one awaiting purchase. After the purchase, the hieroglyphic labels would be added to the figurative tableau, and a dedicatory text would be carved into the plain rectangle in the lower part. Sometimes, however, it appears that a purchaser could not afford the additional expense of a professionally engraved inscription, and so would scratch a short dedication in the lower panel as seen, for example, in the stela for Horudja from the Delta site of Tanis and now in the Musée du Louvre (inv. no. AF 11682).