Egyptian Terracotta Flask

A substantial figure of the ram-headed god Khnum advancing, wearing a tripartite wig with low central modius drilled for a separately cast headdress and finely pleated kilt, with ram's horns and eyes recessed for inlay, raised left hand, the right arm along the side; mounted on a custom-made stand. 466 grams, 22 cm high (803 grams total, 23.8 cm high including stand)

Bronze H: 19.6 cm, W: 5.4 cm, D: 6.9 cm Condition Surface has been extensively cleaned, in fair condition.

With Stendahl Art Gallery, Los Angeles, by at least circa 1950s, accompanied by an inventory card #39, with a matching number on the original base, and a photograph. Private collection, Hollywood, California, acquired from the above, circa 1950s. Accompanied by a copy of an Art Loss Register certificate, no.S00256888. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no. 13240-251804.

The god Khnum (or Khnemu), the 'Moulder', was one of the earliest gods of Egypt, worshipped especially at Philae and Elephantine, both in Nubia. He was thought to have made mankind out of clay on a potter's wheel. It was Khnum who helped Isis to gather the severed fragments of the body of the god Osiris and reassemble them. He was considered the father of the gods, along with Amun-Ra and Ptah.

Modelled seated on a tongue-shaped base, with simple facial detailing and suspension loop to the back. 0.51 grams, 8 mm



Ex French collection, early 20th century.

The goddess Bastet was believed to be the daughter of the sun god and was shown with the features of a lion up until about 1000 B.C. when she was first portrayed as a cat or human with a cat head. As the daughter of Ra she was associated with the rage inherent in the sun god's eye, which was considered to be his instrument of vengeance. Her development into a cat goddess occurred during the New Kingdom but did not fully develop until the Late Period. She was still associated with the destructive power of the sun and was shown on the prow of the solar boat, decapitating the evil serpent Apophis in the Book of the Dead. The maternal, protective and hunting characteristics of the cat are obvious in Bastet, and she was seen as a protector of pregnant women and young children. In the Pyramid Texts, she is invoked by the deceased king to act as his protector and to help him reach the sky to join the sun god; the king proclaims that Bastet is his mother and nurse. Like her counterpart, Sekhmet, Bastet has an aggressive side and, in a text from Karnak, Amenhotep II described his enemies being slaughtered like the victims of Bastet. The goddess had a shrine at Karnak, where she is known as the 'Lady of Asheru', which aligns her closely with the goddess Mut, the consort of Amun-Ra. Her most famous shrine was in the north-east Delta region, at Bubastis, and was known as Per-Bastet or 'the House of Bastet.' Herodotus describes the festival of Bastet as one of the most elaborate in all of Egypt and identifies her with the Greek Artemis. Cemeteries of cats have been excavated at Bubastis, and at Saqqara and Memphis.

Including four seated cats, a Horus falcon, a Bes head, a standing baboon, male genitalia, a trussed duck, and other amuletic types. 18.92 grams total, 15-26 mm



From the collection of a gentleman, acquired on the London art market in the 1990s.