Egyptian Terracotta Cylindrical Jar

Modelled as a seated plump fertility figure; the right hand touching the pubic area beneath the rounded abdomen, a garland upon her propoloma and thick braids falling on her shoulders, smooth back with a vent hole. 213 grams, 13 cm



The Erotica Collection Christian von Faber-Castell, Küsnacgt ZH, Switzerland, since the late 1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Baubo was a minor divinity of the Greek mythology, linked to the cult of Demeter and Persephone. The statuette belongs to the second type of Baubo figurines, widespread in the last Ptolemaic and Roman period in Egypt. The Egyptian Baubo are split into two groups, and this one belongs to the first group depicting a woman seating frontally whilst holding a musical instrument. In some of these figurines her right hand is touching her genitalia. Many of them were used as amulets or as ex-voto. Christian von Faber-Castell (born 1950) is a renowned German entrepreneur and art collector, best known as a member of the prominent Faber-Castell family, famed for their iconic writing instruments. A passionate advocate for art and culture, Christian von Faber-Castell curated an extensive and diverse private collection of erotica, spanning centuries and cultures. His collection reflects a deep appreciation for the interplay of beauty, sensuality, and artistic expression, bringing together rare and unique works that explore themes of intimacy and human connection. Pieces from this collection have been featured in notable exhibitions and are celebrated for their artistic and historical significance. This offering represents a rare opportunity to acquire works from one of the most fascinating and eclectic private collections of its kind.

With linear detailing to wings, raised eyes, suspension loop above the head. 1.28 grams, 20 mm



From an early 20th century collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Small fly amulets first appeared in burials during the Naqada II Period, c. 3200 B.C. These amulets grew in popularity and the materials used to make them expanded during the New Kingdom. They are crafted from a variety of materials such as gold, silver, lapis lazuli, carnelian, amethyst, faience, and bone. These amulets were thought to protect against insect bites and to ward off troublesome flying creatures through apotropaic magic. Some believe they may have even been intended to symbolise the fly’s fecundity. Additionally, pharaohs would bestow gold fly-shaped pendants as military awards to honour the bravery and fly-like persistence of soldiers in battle.

Turquoise faience standing figure of Nefertum in a striding pose with arms at the sides, sporting a black coloured tripartite wig surmounted by the god's distinctive headdress consisting of a lotus flower with two plumes on top; a suspension loop at the back; repaired. 71 grams total, 13 cm including stand



Property from an American deceased estate, acquired between 1970 and 1989. with Bonham's, London, 28 October 2009, no.81 [Part]. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Nefertum was closely associated with the creator god Ptah and the goddesses Sekhmet and Bastet. He represented the first sunlight and the sweet scent of the Egyptian blue lotus flower (nymphaea caerulea). According to beliefs, the sun rose from the bloom of a blue lotus, embodying notions of rebirth and rejuvenation. Additionally, as the lotus was seen as a symbol of fertility, it is possible that this amulet was also worn for that purpose.