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LOT 0489
Egyptian Tell el Amarna Artefact Collection
NEW KINGDOM, 18TH DYNASTY, 1350-1334 A.D.
2 - 5 5/8 in. (711 grams total, 5.2-14.4 cm).
A group of five ceramic fragments from Tell el Amarna, comprising: a bread mould fragment with one rounded face, believed to originate from the Small Aten Temple; a decorated blue ware fragment featuring a polychrome painted geometric design; a fragment believed to have come from the King's House, Tell el Amarna; a probable miniature vessel with foot and chipped rim. [4, No Reserve]
ProvenanceFrom an old UK collection.
From the private collection of Alf Baxendale (1941-2016) part 2, keen Egyptologist, member of the Egyptology Society, trustee of the Amarna Trust; thence by descent.
Accompanied by three identification display cards.
Accompanied by a copy of his obituary published in Horizon, The Amarna Project and Amarna Trust newsletter, Issue 18, 2017, p.21, by Barry John Kemp, CBE, FBA, Professor Emeritus of Egyptology at the University of Cambridge and directing excavations at Amarna in Egypt.
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Egyptian Blue-Glazed Faience Chalice
Early Third Intermediate Period, circa 1050 B.C.Sold for (Inc. bp): £17,550
A blue-glazed faience chalice representing the blue lotus flower with a tall, flaring cup rounded at the base, short stem with a flared foot; held in a lockable wooden presentation box with key; restored. 104 grams, 12.5 cm high
Acquired from Dr Jan Beekmans, circa 1982. UK private collection. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11599-198342.
It is thought that blue lotus chalices served cultic or votive roles in temples or in offering rituals to the dead, and the white lotus versions were used as drinking vessels. Called Seshen by the ancient Egyptians, the blue lotus symbolised solar concepts surrounding rebirth- possibly because its flowers open their petals in the morning and close them again at night. Given this connection, it is not surprising to find that the lotus features prominently in ancient Egyptian funerary art, in banqueting scenes honouring the dead and in bouquets adorning the coffin and its bier. It is thought that the petals were used to make perfume and that the ancient Egyptians exploited the lotus's narcotic properties and added its extracted essence to wine to enhance the pleasurable effects of the drink, as can be seen in banqueting scenes. -
Egyptian Faience Figure of Bes
Ptolemaic Period, 332-30 B.C.Sold for (Inc. bp): £234
A green glazed composition figure of Bes standing on a base; plumed headdress and loop absent. 4.79 grams, 34 mm
Acquired early 1990s. Ex private American collection; thence by descent. Private Swiss collection since 1998. -
Egyptian Bronze Figure of Ptah
Late Period-Ptolemaic Period, 664-30 B.C.Sold for (Inc. bp): £936
A bronze statuette of the god Ptah, wearing a tight-fitting mummiform garment and cap, standing on a rectangular base, detailing to his face, straight false beard and broad collar, his arms held in front of his chest, holding the was sceptre; lug to base; accompanied by a custom-made wooden display base. 160 grams total, 13.5 cm including stand
Acquired 1980s. Private collection of L.H., Staffordshire, UK. Property of a Sussex, UK, teacher.
Ptah was the god of Egypt's capital city Memphis and master craftsman of the gods, known for his benevolent and approachable character.
