Loading, please wait...
LOT 0541
Egyptian Stone Scarab
LATE PERIOD, 664-332 B.C.
3/4 in. (3.74 grams, 20 mm).
Incised detailing to the carapace and legs, pierced longitudinally; underside with three deities (possibly Amun-Ra, flanked by figures of Re).
ProvenanceFrom the Gustave Mustaki collection before 1948.
Ex London, UK, gallery.
From a private UK collection.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Petrie, W.M.F., Button and Design Scarabs, London, 1925, pl. XV, no.1044, for a similar example.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
-
Egyptian Green Glazed Faience Amulet of a Monkey
Third Intermediate Period, circa 1069-735 B.C.Sold for (Inc. bp): £520
Modelled in the round with dorsal pillar and loop, small base. 6.1 grams total, 43 mm including stand
Collection of Monsieur M.; Etude Tajan, Paris, 26 February 1996, no.101. Private collection, London, UK, acquired from the above sale. Accompanied by a copy of a French cultural passport, dated 21 March 1996. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The vervet monkey was a symbol of love and sexual fulfilment. -
Large Egyptian Faience Figure of Sekhmet
1st millennium B.C.Sold for (Inc. bp): £3,380
Modelled in the round standing, holding an ankh in her right hand, the other holding a slender staff, lion-headed, wearing an ankle-length skirt; loop behind her neck. 79 grams, 14 cm
Acquired in the late 1980s. Private collection, thence by descent. Private collection, since the late 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12852-241726. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Egyptian Haematite Mace Head
4th-3rd millennium B.C.Estimate: £600 - 800 (+bp*)
Opening Bid: £300
Globular body with short socket and thickened rim; accompanied by a custom-made display stand. 457 grams total, mace: 60 mm high
Ex Norman Fargo collection. with Olympia Auctions, 26 June 2024, no.119. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Norman Fargo was born in Los Angeles, California in 1945, the son of Hungarian immigrant Frank and his wife, Rose. His lifelong passion for collecting began at the age of six with a simple interest in rocks. By the 1960s, Norman had become a dedicated student of antique arms and armour, developing a deep appreciation for both craftsmanship and historical context. He began collecting at a time when many items now considered rare were still relatively accessible. A friendship with renowned collector Howard Curtis—whose important collection was partially sold at Christie’s, London in 1984—opened doors to early and exceptional material. Norman also acquired outstanding pieces from respected figures such as Frank Bivens and others known today through museum and auction catalogue provenance. Alongside his core collection of arms and armour (c.1450-1700), Norman developed an eye for period furniture and accessories. He also built a growing collection of Pre-Columbian art with an emphasis on Southern Mexican cultures, particularly Veracruz, as well as fine examples of Japanese Satsuma ware and cloisonné.
