Egyptian Stone and Faience Scarab Group

Modelled standing with arms held vertically at his sides, wearing a tripartite wig surmounted by a lotus flower flanked by scrolled leaves; dorsal pillar with low-relief image of Sekhmet in lioness-headed form and solar disc above; mounted on a custom-made stand. 480 grams total, 19.5 cm high including stand



with Art Ancient, London, UK. Private collection, London, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13352-257009.

Nefertum is often depicted with a prominent lotus blossom above his head, symbolising both his divine beauty and his connection to the sun's rejuvenating power. He is sometimes portrayed with a lion's head or a lioness’s mane, or, as here, accompanied by an image of his lioness mother, Sekhmet, on his back, emphasising his link to her fierce and healing powers.

Plano-convex in section with moulded piriform face and wig, tools in the crossed hands, accompanied by an old handwritten note 'faience. Ceramic composed of crushed quartz or quartz sand with small amounts of lime and plant ash or naron. Coated with a bright blue or green glaze or soda[...]' and to verso 'Late period 700-400 BC Ex Margaret Seton-Jones from Flinders Petrie'. 10.5 grams, 49 mm



Ex Margaret Seton-Jones from Flinders Petrie. From the private collection of a Canadian gentleman living in Essex, UK, formed since the 1920s-circa 1990. Property of an Essex lady until the late 1990s; thence by descent. From the private collection of an Essex gentleman since the late 1990s. Accompanied by a handwritten slip with description and provenance.

Globular body with short socket and thickened rim; accompanied by a custom-made display stand. 457 grams total, mace: 60 mm high



Ex Norman Fargo collection. with Olympia Auctions, 26 June 2024, no.119. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Norman Fargo was born in Los Angeles, California in 1945, the son of Hungarian immigrant Frank and his wife, Rose. His lifelong passion for collecting began at the age of six with a simple interest in rocks. By the 1960s, Norman had become a dedicated student of antique arms and armour, developing a deep appreciation for both craftsmanship and historical context. He began collecting at a time when many items now considered rare were still relatively accessible. A friendship with renowned collector Howard Curtis—whose important collection was partially sold at Christie’s, London in 1984—opened doors to early and exceptional material. Norman also acquired outstanding pieces from respected figures such as Frank Bivens and others known today through museum and auction catalogue provenance. Alongside his core collection of arms and armour (c.1450-1700), Norman developed an eye for period furniture and accessories. He also built a growing collection of Pre-Columbian art with an emphasis on Southern Mexican cultures, particularly Veracruz, as well as fine examples of Japanese Satsuma ware and cloisonné.