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LOT 0459
Egyptian Steatite Scarab
LATE PERIOD, 664-332 B.C.
5/8 in. (2 grams, 16 mm).
Anatomical detailing on the carapace and the body is pierced longitudinally, with five hieroglyphic signs on the underside. [No Reserve]
ProvenanceFrom the private collection of a European gentleman (1942-2024), formed since the 1970s.
FootnotesThe three hieroglyphs on the left side, together with the bottom sign, spell out the throne name of Tutankhamun (Neb-kheperu-Ra), although the long sign to the right, resembling a reed leaf or Maat feather, indicates that it may be a good luck legend, perhaps interpreted as 'True Lord of Manifestations is Ra'.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Egyptian Faience Heart Scarab
Late Period, 664-332 B.C.Sold for (Inc. bp): £624
With fine anatomical detailing on the body and striated wingcase, legs folded beneath the body and flanked by a ribbed suspension loop. 1.89 grams, 20 mm
Ex Swedish nobleman's collection, early 20th century, reputedly from Petrie’s excavations. -
Late Coptic Panels Decorated with Two Standing Saints
17th-18th century A.D.Sold for (Inc. bp): £3,900
Two wooden panels showing two standing nimbate figures, probably Saint Daloucham on the right, wearing a red veil, and a bearded figure on the left, probably Saint Pachomius, holding a small cross and prayer beads; mounted on a fabric-covered backing board. 1.05 kg total, 65.2 x 50 cm
Leclere, Marseille, 20 April 2013, no.99. Private collection, UK. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12184-221677.
Stylistically, the icon can be compared to the paintings in the Church of St. Thomas in Achmim, which could also help identify one of the two saints. Especially important in this regard are the parallels between the robes of the saints and those of Saint Thomas in the church’s Doom, with long folds coloured with identical colours; the floral decoration of the sleeves of the inner tunic, and the faces of the Saints, with oval and widened eyes. The influence of Ethiopian paintings of the same period is evident in the Church of Achmim, like in this icon. The painting preserves the distant memory of medieval paintings, through a Coptic cultural humus whose vestiges are still today in Egypt, Nubia and Ethiopia. In the Church of Achmim are represented the martyrs of Achmim, i.e. Saint Pachomius and his sister Saint Daloucham. It is not impossible that one of the represented ascetic monks could be Pachomius. It is also probable that the icon was part of a wider group, representing also other important characters of the Coptic Church. -
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Egyptian Faience Lotus Flower Amulet
18th Dynasty, Amarna Period, 1353-1336 B.C.Sold for (Inc. bp): £104
A blue glazed composition pendant in the form of a lotus, with some repair to the suspension loop. 0.26 grams, 14 mm
Ex early 20th century London collection.
