Egyptian Steatite Scarab with Cartouche

Depicted nude in an advancing pose; silver inlaid eyes, braided sidelock of youth; left hand by his side, drilled to accept a separate element, the other outstretched at a right angle to his body, holding a tapering cylindrical staff, not belonging; he may originally have held a sistrum, an ancient Egyptian percussion instrument, or a menat, both closely associated with the goddess Hathor; here, Ihy wears the Pschent crown with remains of uraeus, and an inlaid gold necklace suspended with an ib pendant around his neck; finely detailed facial features, with engraved Nekhbet vulture with outspread wings at the back of the crown; integral lugs on soles of feet; mounted on a custom-made stand. 899 grams total, 25 cm including stand



From the Singer family collection, Germany, acquired circa 1962. with A.A.L., Geneva, 1980. with Christie's, London, 25 April 2015, no.163 [£50,000-£70,000]. Private collection, London, UK. Accompanied by copies of the relevant Christie's catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13309-258229.

Ihy was an Egyptian god associated with music, joy, and ritual celebrations, particularly as the divine child of Hathor and of Horus or Ra. He is typically depicted as a youthful figure, often naked or lightly clothed, wearing a sidelock of youth and carrying a sistrum or menat, both percussion instruments closely connected with ritual performances in Hathor's cult, especially at the temples of Dendera and Edfu. His name is generally understood to mean 'the musician' or 'the one who plays music,' although it may also mean 'calf', a reference to his relationship with the cow-goddess Hathor. Bronze statuettes of Ihy, such as this example, were probably produced as votive offerings dedicated in temples, especially those devoted to Hathor. Worshippers may have commissioned such figures in the hope of obtaining divine favour, protection, fertility, healing, or participation in the blessings linked with music and festivity. Some examples may also have served as cult images used in temple ceremonies or as protective objects placed in domestic or funerary settings.

Lentoid body with segmented collars and blue detailing around the shoulders, neck with papyrus stalk detailing and a domed rim; addorsed stylised baboons flanking the neck. 263 grams, 16 cm



Acquired on the UK art market, 1990s. Private collection, New York, USA. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13350-255452.

The concept of renewal is expressed through the form, decoration, and inscriptions of this type of flask. Their rounded bodies evoke the sun disc, symbolising daily rebirth, while the squatting baboons flanking the mouth allude to those that greeted the rising sun each morning. The blue collar decoration, including floral motifs, as seen here, symbolises the renewal of the agricultural cycle through the annual Nile inundation. The papyrus-capital spout reinforces this theme of regeneration. Although traditionally dated exclusively to the 26th Dynasty, examples recovered from Late Period and early Ptolemaic contexts indicate that their popularity actually endured for several centuries.

Comprising: a blue glazed scarab with the cartouche of Thutmosis III (Men-kheper-Ra) on the underside flanked by other signs; a scarab with three schematic human figures; a scarab with an open lotus flower; another with motifs on the underside; and a blue and black glass scarab with a plain underside. 6.02 grams total, 10-16 mm



From the private collection of a European gentleman (1942-2024), formed since the 1970s.