Egyptian Steatite Scarab Collection

Representing a slave or a dwarf in a crouched position, dressed in a short tunic leaving the left shoulder uncovered (exomis), a large curving phallus emerging from underneath the tunic topped with a large apotropaic eye; accompanied by a display stand. 64 grams, 81 mm (80 grams total, 10 cm high including stand)



The Erotica Collection Christian von Faber-Castell, Küsnacgt ZH, Switzerland, since the late 1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Except for the enormous phallus, the figure is human in all aspects. The apotropaic aspect, symbolised also by the eye, is combined with the erotic. It should be pointed out that according to the physiognomic conceptions held in the ancient world, from the 4th century B.C. onwards, small-scale sculptures developed a rich repertoire of grotesque types. These so-called grotesques were a development of the Hellenistic interest in the human body and its imperfections. They range from representations of individuals with clinically diagnosable disfigurements to those with exaggerated physical features. According to some scholars, terracotta (and bronze) figurines of this kind were life-like representations of beggars and others who gathered at big feasts in temples or at the houses of the wealthy. In the latter case, they indicated the importance and wealth of the host because the more beggars an event attracted, the greater the fortune of the event organizer. By implication, the bronze and terracotta portraits of these marginal people could have become symbols and charms of good luck that would have been placed in private houses. Christian von Faber-Castell (born 1950) is a renowned German entrepreneur and art collector, best known as a member of the prominent Faber-Castell family, famed for their iconic writing instruments. A passionate advocate for art and culture, Christian von Faber-Castell curated an extensive and diverse private collection of erotica, spanning centuries and cultures. His collection reflects a deep appreciation for the interplay of beauty, sensuality, and artistic expression, bringing together rare and unique works that explore themes of intimacy and human connection. Pieces from this collection have been featured in notable exhibitions and are celebrated for their artistic and historical significance. This offering represents a rare opportunity to acquire works from one of the most fascinating and eclectic private collections of its kind.

Sub-rectangular in plan with irregular and fragmented edge; prepared plaster surface featuring a line-bordered column with four cursive hieroglyphs naming Behedet (bḥdt); a section of finely painted outstretched wing with feather detailing to lower edge in red and blue; below, a wedjat eye in black with red medial band; fabric back to reverse. 48 grams, 17 cm



Formerly from an old collection of a Wiltshire, UK, collector, acquired before 1980. Property of a private collector, West London, UK. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

This fragment most likely originates from the lower chest section of a so-called anthropoid 'yellow coffin' from the Third Intermediate Period. The wing belongs to a protective deity; as Behedet is a name given to several locations (Edfu, Tell el-Balamun, and Lepidotonpolis) associated with Horus, it seems probable that the wing belongs to the falcon form of this god.

Rectangular in plan with irregular left and lower edge; carved in low-relief in two registers with narrow border; lower register - plain with cream-white pigment; upper register – a combat or possibly post battle or tribute scene depicting two profile male heads with stern features, lentoid eye, strong mouth and chin, wearing brow-bands, probably Western Asiatics; with the leg of a kneeling(?) figure to the right; the reverse dressed but undecorated; two modern mounting holes to the long edge. 5.11 kg, 33 cm



Private collection, 1980s. Private European collection, 2008. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12853-241665. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Scenes of captured enemies and especially foreign envoys in audience with the pharaoh depict figures in various humiliating, supplicatory poses, including prostration and kneeling.