Egyptian Statuette of a Monkey

Depicted nude in an advancing pose; silver inlaid eyes, braided sidelock of youth; left hand by his side, drilled to accept a separate element, the other outstretched at a right angle to his body, holding a tapering cylindrical staff, not belonging; he may originally have held a sistrum, an ancient Egyptian percussion instrument, or a menat, both closely associated with the goddess Hathor; here, Ihy wears the Pschent crown with remains of uraeus, and an inlaid gold necklace suspended with an ib pendant around his neck; finely detailed facial features, with engraved Nekhbet vulture with outspread wings at the back of the crown; integral lugs on soles of feet; mounted on a custom-made stand. 899 grams total, 25 cm including stand



From the Singer family collection, Germany, acquired circa 1962. with A.A.L., Geneva, 1980. with Christie's, London, 25 April 2015, no.163 [£50,000-£70,000]. Private collection, London, UK. Accompanied by copies of the relevant Christie's catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13309-258229.

Ihy was an Egyptian god associated with music, joy, and ritual celebrations, particularly as the divine child of Hathor and of Horus or Ra. He is typically depicted as a youthful figure, often naked or lightly clothed, wearing a sidelock of youth and carrying a sistrum or menat, both percussion instruments closely connected with ritual performances in Hathor's cult, especially at the temples of Dendera and Edfu. His name is generally understood to mean 'the musician' or 'the one who plays music,' although it may also mean 'calf', a reference to his relationship with the cow-goddess Hathor. Bronze statuettes of Ihy, such as this example, were probably produced as votive offerings dedicated in temples, especially those devoted to Hathor. Worshippers may have commissioned such figures in the hope of obtaining divine favour, protection, fertility, healing, or participation in the blessings linked with music and festivity. Some examples may also have served as cult images used in temple ceremonies or as protective objects placed in domestic or funerary settings.

Neferhotep depicted advancing on a rectangular base, holding in the left hand the was sceptre, topped with the stylised head of an animal linked to the god Seth, with the right arm held rigid by the side with a clenched fist; wearing a Pschent crown with uraeus above the brow, a short, pleated shendyt kilt, and a broad multi-strand collar; the head features a tightly curled wig, false beard, and lentoid wire rims around the eyes; mounted on a custom-made stand. 345 grams total, 17.3 cm high including stand



Private collection of Mrs Bogaert, formed in 1949, Ghent, near Brussels, Belgium. Ex private collection, London, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13310-258230.

Neferhotep was explicitly recognised as a deity with a cult only from the Late Period, although it may have been understood earlier and later as the incarnation of the youthful divine king, since pharaohs from the 18th Dynasty to the Ptolemaic Period are sometimes depicted wearing the same wig. Neferhotep, whose name translates as 'the perfect one is at peace,' was considered to be the son of Hathor and was venerated at Hu (Diospolis Parva), as well as at Karnak, Dendera, and Behbeit el-Hagar. Provenanced statues of the god originate from the Memphite region.

With rectangular handle to the rear, teeth to the forward edge; incised saltire decoration to the upper face of the handle. 640 grams, 24.2 cm



Previously belonging to J Stewart, Mayfair, London, UK; acquired in the early 1980s. Property of a Middlesex gentleman.