Egyptian Small Head with Wig

Carved in the round head with plaster prepared surface; with integral Atef crown ornamented with lateral bronze ostrich plumes and uraeus to the brow; carved facial detailing with broad nose and small mouth; applied bronze braided beard with scrolled tip; ears pierced to accept earrings; mounted on a custom-made stand. 3.62 kg total, 52.5 cm high including stand



Acquired by the family from an antiquities dealer in Egypt, October 1982. Ex Dunkirk Manor, Theescombe, Stroud. Mr F.D. collection, acquired from the above. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12513-231999. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

This head likely originates from a large-scale standing figure of the underworld god Osiris. In contrast to the ubiquitous small bronze Osiris figurines found at cult sites throughout Egypt – which were left by pilgrims as votive offerings – large-scale wooden statues are much rarer. Their scarcity is partly due to the fragile nature of wood, which made such statues more susceptible to decay over time, but also because these larger figures were used in more specialised and exclusive ritual contexts. This is evidenced by the significant discovery of a large wooden Osiris statue in a cache of votive objects at Saqqara, associated with a temple shrine. The find suggests that the sizeable image of Osiris played an important role in religious ceremonies in the temple, where it presumably served as the focus of veneration. The Saqqara cache dates no later than the reign of Nectanebo II (360-343 B.C.), whose temple pavement covered it. However, the exact dating of the wooden statue is less certain, with estimates ranging from the New Kingdom to the 26th Dynasty.

Turquoise faience standing figure of Nefertum in a striding pose with arms at the sides, sporting a black coloured tripartite wig surmounted by the god's distinctive headdress consisting of a lotus flower with two plumes on top; a suspension loop at the back; repaired. 71 grams total, 13 cm including stand



Property from an American deceased estate, acquired between 1970 and 1989. with Bonham's, London, 28 October 2009, no.81 [Part]. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Nefertum was closely associated with the creator god Ptah and the goddesses Sekhmet and Bastet. He represented the first sunlight and the sweet scent of the Egyptian blue lotus flower (nymphaea caerulea). According to beliefs, the sun rose from the bloom of a blue lotus, embodying notions of rebirth and rejuvenation. Additionally, as the lotus was seen as a symbol of fertility, it is possible that this amulet was also worn for that purpose.

Restrung; a netted beadwork panel of annular and tubular glazed composition beads in blues, greens, black, cream and red-brown colours, depicting a mummy face mask with false beard, a scarab with extended wings below, the 'Four Sons of Horus’ beneath the scarab, joined together with areas of open netting of tubular beads. 67 grams, 24 cm high



Acquired 1990s. Ex Mariaud des Serres, Paris, France. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The 'Four Sons of Horus' protected the internal organs of the deceased. Depicted from left to right: the falcon-headed Qebhesenuef protected the intestines; human-headed Imsety, the liver; baboon-headed Hapi, the lungs; jackal-headed Duamutef, the stomach.