Egyptian Silver Poppy Amulet Group

The god in a semi-seated pose with sidelock and uraeus; mounted on a custom-made stand. 10 grams total, 52 mm including stand



Collection de Son Excellence Mandou Riaz (1895-1963). Archéologie, François de Ricqlès, Paris, 11-12 November 2001, no.186. Private collection, London, UK, acquired from the above sale. Accompanied by a copy of the François de Ricqlès invoice. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

While the semi-seated pose of the figurine may imply that it was part of a composite statuette, possibly featuring a separately modelled throne or seated on the lap of his mother, Isis, independent amulets with suspension loops depicting the god in this pose are also prevalent. Harpocrates is the Greek rendering of the Egyptian Hor-pa-khered, which translates as ‘Horus the Child’. This designation refers to Horus as the divine infant of Isis and Osiris. Wearing the amulet of Harpocrates could grant the wearer the same protection that Isis provided to her beloved son.

Carved in the round with detailed tripartite wig, hands crossed at the chest; some painted and gilded(?) plaster surface; mounted on a later base. 332 grams, 26.9 cm



From the collection of Mrs Kilvert, who fled from France to England during the French Revolution. Received by gift to the Hodge family from Mrs Kilvert at Bath in 1864-1865; thence by descent to the grandchildren of Mr John Hodge, a private London tutor. From the collection of a New Zealand family; thence by descent. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12846-239090. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

A shabti, also known as ushabti or shawabti, is a small funerary figurine found in ancient Egyptian tombs, dating from around 2000 BCE to 30 BCE. Its main purpose was to serve as a servant for the deceased in the afterlife, carrying out manual tasks such as farming or irrigation. Shabtis were often inscribed with a magical formula from the Book of the Dead to ensure they would animate when summoned. The distinctive, lighter-coloured, and previously part-gilded upper body decoration, contrasting with the black used for the rest of the figure, may symbolise the moment of rebirth, when the face of the deceased was bathed in the sun's rays.

Modelled as a right hand in fica protective gesture; pierced at wrist. 1.48 grams, 20 mm



From an early 20th century collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.