Egyptian Silver Fly Amulet

The head of goddess Bastet modelled in the round with alert ears and eyes, fine whisker detailing to the gently elongated muzzle, hair detailing to the inner edges of the ears and the lower outer edges pierced to accept separate earrings, incised scarab on the top of the head. 92.5 grams, 58 mm



Elizabeth Helene Demarest Osten Driesen (1892-1931). Given as a gift to her granddaughter, Lady Annabel Sutherland, by descent in the late 1960s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12762-237137. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

In ancient Egypt, the cat was venerated as the sacred animal of the goddess Bastet, whose principal cult centre was Bubastis in the Nile Delta. Although cats were once part of folk practice, their veneration as part of formal cults spread across Egypt during the Late Period. Bastet was closely linked to lion-headed goddesses like Sekhmet, Tefnut, and Pakhet, and the cat itself became associated with solar imagery: the Book of the Dead portrays the sun god as a Great Cat vanquishing Apophis beneath the sacred Ished Tree. The cat could also embody the Eye of the Sun or, more often in Bastet’s case, the Eye of the Moon. Mummified cats were frequently dedicated as votive offerings, and some of their feline-shaped coffins were adorned with finely crafted bronze heads to enhance their divine likeness.

With suspension loop and frame, intaglio figural scene including stylised birds and winged scarabs, with recesses; with museum-quality impression. 13.5 grams, 23 mm



Ex London, UK, gentleman 1980-2000s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

With gently curved obverse and flat reverse, section of an inlay depicting Anubis, with thick neck and beginning of extended foreleg. 110 grams, 96 mm



Acquired on the French art market, 1980s. with Bonhams, London, 13 April 2011, lot 21. Accompanied by copies of the relevant Bonhams catalogue pages. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

This coloured glass inlay depicts Anubis, the jackal-headed god of mummification and protector of the dead. Likely part of a coffin or shrine, it demonstrates the use of glass to imitate precious materials in elite funerary art. The figure’s profile and predominantly black colour evoke Anubis’s role in preservation and the afterlife.