Egyptian Silver Fly Amulet

Obverse with scarab carved in high-relief and wing-case recessed to accept inlays (now absent), flanked by a small female goddess wearing a tall headdress, almost certainly Nephthys, with her arms raised in supplication; column with text to her rear, covered in gold foil and perhaps to be read as 'May my name be victorious: protection..'; reverse with the upper body of a male figure facing right with both arms raised towards the remains of a recumbent Anubis on a plinth above the top of a fragmentary shield-shaped plaque with incised text beginning 'Osiris Lord of Eternity forever..'; mounted on a custom-made stand. 53 grams, 69 mm (157 grams total, 11.5 cm including stand)



Eric Pascoe (d. 2019), Calenick House, Truro, Cornwall. Lodge & Thomas, Truro, Antiques & Fine Art Two Day Auction-Including the Ron Clifford Collection of Dinky & Britain's Toys, 26-27 September 2019, no.684. Acquired by the present owner at the above sale. with Bonhams, London, 8 December 2022, no.265. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

This fragment from an elaborate pectoral may exemplify an innovative design characteristic of the Ramesside Period, during which iconographic and textual elements began to diverge from the more conventional styles of earlier pectorals. For a discussion of some of these novel pectorals, refer to Whelan, P., 'An Epithet-Laden Pectoral,' Egitto e Vicino Oriente, 46 (2023), pp.7-28.

The actor represented wearing a grotesque mask, with his legs flanking his enormous phallus and genitals above. 116 grams, 13.6 cm



The Erotica Collection Christian von Faber-Castell, Küsnacgt ZH, Switzerland, since the late 1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

From the 4th century B.C. onwards, small-scale sculptures developed a rich repertoire of grotesque types. These so-called grotesques were an enhancement of the Hellenistic interest in the human body and its weaknesses and imperfections by depicting disfigured individuals. According to some scholars, terracotta (and bronze) figurines of this kind were life-like representations of beggars and others who gathered at big feasts in temples or at the houses of the wealthy. In the latter case, they indicated the importance and wealth of the host because the more beggars an event attracted, the greater the fortune of the event organiser. By implication, the bronze and terracotta portraits of these marginal people could have become symbols and charms of good luck that would have been placed in private houses. This image in particular, has evolved from the ithyphallic Harpocrates terracottas. Christian von Faber-Castell (born 1950) is a renowned German entrepreneur and art collector, best known as a member of the prominent Faber-Castell family, famed for their iconic writing instruments. A passionate advocate for art and culture, Christian von Faber-Castell curated an extensive and diverse private collection of erotica, spanning centuries and cultures. His collection reflects a deep appreciation for the interplay of beauty, sensuality, and artistic expression, bringing together rare and unique works that explore themes of intimacy and human connection. Pieces from this collection have been featured in notable exhibitions and are celebrated for their artistic and historical significance. This offering represents a rare opportunity to acquire works from one of the most fascinating and eclectic private collections of its kind.

A silver openwork amulet featuring an ankh with outstretched arms holding tall was-sceptres. 0.31 grams, 13 mm



From an early 20th century collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.