Egyptian Silver Bastet as Seated Cat Amulet

White stone sclera with black stone iris, green stains visible on edges from copper rims. 10.5 grams total, 30-32 mm



Acquired on the UK art market, 1977-1979. Private collection, London. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Egyptian coffin eye inlays were both decorative and symbolic, intended to make the coffin appear lifelike and assist the deceased in the afterlife. Typically, they featured a white sclera (glass, alabaster or quartz), a dark iris (glass or often obsidian), and sometimes red paint at the inner corner. The eyes were often set in bronze or copper frames, occasionally with faience or bronze eyebrows.

Rectangular in plan with irregular left and lower edge; carved in low-relief in two registers with narrow border; lower register - plain with cream-white pigment; upper register – a combat or possibly post battle or tribute scene depicting two profile male heads with stern features, lentoid eye, strong mouth and chin, wearing brow-bands, probably Western Asiatics; with the leg of a kneeling(?) figure to the right; the reverse dressed but undecorated; two modern mounting holes to the long edge. 5.11 kg, 33 cm



Private collection, 1980s. Private European collection, 2008. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12853-241665. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Scenes of captured enemies and especially foreign envoys in audience with the pharaoh depict figures in various humiliating, supplicatory poses, including prostration and kneeling.

Seated figure of a cat with pointed ears mounted on a rectangular base with a rounded end; suspension loop on the back. 0.34 grams, 8 mm



Ex London, UK, gentleman 1980-1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The cat was sacred to Bastet, a protective mother goddess and the daughter of the sun god Re. Amulets offered the wearer the goddess's protection. Her name means ‘she of the bast [ointment jar],’ which may have contained a substance favoured by or exclusive to royalty. Originally, Bastet was depicted as a woman with the head of a lioness, but by the late New Kingdom, she was usually shown with a cat's head. She is sometimes portrayed with kittens, emphasising her maternal role as a fierce protector of offspring.