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LOT 0414
Egyptian Silver Ankh and Was-Sceptre Amulet
LATE-PTOLEMAIC PERIOD, 664-30 B.C. OR EARLIER
1/2 in. (0.31 grams, 13 mm).
A silver openwork amulet featuring an ankh with outstretched arms holding tall was-sceptres. [No Reserve]
ProvenanceFrom an early 20th century collection.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Cf. several comparable faience openwork amulets were discovered in the tomb of Amenhotep III (e.g. Metropolitan Museum of Art 26.7.1083), these are discussed in Hayes, W.C., The Scepter of Egypt. A Background for the Study of the Egyptian Antiquities in The Metropolitan Museum of Art, Vol. 2, New York, 1990 (reprint), p.243.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Faience Juglet
Parthian, 1st-2nd century A.D.Sold for (Inc. bp): £85
With barrel-shaped body. trumpet-shaped neck flanked by strap handles to the shoulder, horizontal ribbing. 106 grams, 10 cm
Acquired 1980-2015. Ex Abelita family collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. -
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Egyptian Wooden Cow Giving Birth Diorama with Two Figures
Middle Kingdom, 11th-12th Dynasty, 2023-1862 B.C.Sold for (Inc. bp): £3,380
Comprising three figures to represent a calving scene: a standing cow or other quadruped giving birth to its young, its head, neck and forelegs emerging from the mother's rear, both with a black and white speckled coat; a standing male figure with articulated arms and pierced hands, wearing a kilt and cropped wig and with stylised facial detailing; a kneeling figure also with articulated arms, open-palm hands, wearing a kilt and cropped wig, stylised facial features; extensive remains of polychrome pigment. 113 grams total, 9.5-16 cm
From an early 20th century Home Counties collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11597-199209. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Such models would have been deposited in tombs; the purpose of such a scene was probably to evoke the season of spring, when calves were born, and the floodplain where farmers lived and raised their livestock. -
Egyptian Faience Mummy Beadwork Mask
Ptolemaic Period, 332-30 B.C.Sold for (Inc. bp): £676
A netted beadwork panel of annular and tubular glazed composition beads depicting a mummy face mask with a false beard, a scarab with extended wings below, and beneath the 'Four Sons of Horus’, Hapy, Imsety, Qebehsenuef, and Duamutef, joined together with areas of open netting of tubular examples; restrung with some later beads. 145 grams, 32 cm
Mariaud de Serres, Paris, 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
The Four Sons of Horus were deities responsible for protecting the deceased's internal organs. The human-headed Imsety protected the liver, the baboon-headed Hapy protected the lungs, the jackal-headed Duamutef protected the stomach, and the falcon-headed Qebehsenuef protected the intestines. These internal organs were often placed in canopic jars with the head of the respective Son of Horus.
