Egyptian Quartzite Fragment with Hieroglyphs

Rectangular panel from a false door stela carved in sunk relief with raised vertical borders framing a scene with a male figure wearing a knee-length kilt, collar and short wig, seated on a stool with lion-claw feet, holding a bolt of cloth in his left hand; before him, a pedestal table with splayed feet, the top laden with vertical loaves; traces of pigment to the collar, kilt and table; rear face dressed but plain. 4.12 kg, 28.7 cm



Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s.

The ancient Egyptians believed the soul of the departed could move in and out of the tomb using a ‘false door.’ This door was identified by a recessed surface with a symbolic entrance at its centre. In the Middle Kingdom, the false door design was combined with other elements or represented by a raised border and cornice above on rectangular stelae.

Bust of Osiris modelled in the round, wearing the white crown with uraeus to the brow, plaited false beard, tiered collar with counterweight to rear; the hands opposed at the chest, holding the nekhakha flail and the heka crook; the eyes with glass inserts; mounted on a custom-made stand. 850 grams total, 35 cm high including stand



Ex R. Liechti (1934-2010) collection, Geneva, Switzerland. Private collection, Europe. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12365-226680.

Osiris is a deity who represents death and fertility and is commonly regarded as the quintessential god of rebirth. Though he was once a mortal ruler, as a deceased entity, his domain was the Underworld. Abydos was the primary centre of Osiris’ cult, where a renowned yearly celebration of the god was held. The proliferation of bronze statues of the god indicates his widespread popularity. R. Liechti was a distinguished collector of Egyptian antiquities, known for his discerning eye and passion for ancient artefacts. Active during the mid-20th century, Liechti's collection featured a wide range of objects that showcased the rich cultural heritage of ancient Egypt, from intricately carved statuettes to rare amulets and jewellery. His dedication to preserving and studying these relics earned him a respected reputation among scholars and collectors alike. Many pieces from his collection have since found their way into prominent museum collections and auction houses, further solidifying his legacy in the world of antiquities.

With textured carapace, bull-horned column to the reverse. 3.94 grams, 15 mm



From the property of the late Mr SM, London, UK, 1969-1999.

The widespread adoption of the scarab, both as a symbol linked to the concept of rebirth, and in its function as a seal, exemplifies the extent of Egyptian influence on Phoenician culture, from its origins in the Levant to its spread across the Mediterranean.