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LOT 0004
Egyptian Pre-Dynastic Greywacke Palette
PREDYNASTIC PERIOD, NAQADA III, CIRCA 3300–2960 B.C.
5 1/4 in. (238 grams, 13.3 cm).
Circular in plan with smoothed faces, pierced through the edge.
ProvenanceAcquired in the mid 1980s-1990s.
Private collection, Switzerland, thence by descent.
Private collection, since the late 1990s.
Cf. Petrie, W.M.F., Corpus of Prehistoric Pottery and Palettes, London, 1917, pl.LIII, 77, for two similar examples from the Predynastic cemetery at Tarkhan.
FootnotesPalettes were utilitarian objects used in the Predynastic Period to grind and mix mineral-based eye pigments (including ochre, malachite, and haematite). Greywacke cosmetic palettes were easily carved in various shapes and sizes, including zoomorphic representations and geometric forms. The symbolism of this circular palette may be connected to the sun disc, which featured prominently in ancient Egyptian culture.
The palette was so significant in Predynastic society that purely ceremonial versions, often impractically large for their original purpose, were produced for use in temple rituals. The most famous is the highly decorated Narmer Palette discovered at Hierakonpolis.
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LOT 0004
Egyptian Pre-Dynastic Greywacke Palette
Estimate £500 - 700€580 - 810 (for guidance only)$680 - 950 (for guidance only)
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Egyptian Silver Cat Amulet
Late Period, 664-332 B.C.Sold for (Inc. bp): £390
Modelled seated on a tongue-shaped base, with facial detailing and suspension loop to the back. 1.57 grams, 12 mm
From an early 20th century collection.
The cat was sacred to Bastet, a protective mother goddess and the daughter of the sun god Re. Amulets provided the wearer with the goddess's protection. -
Large Egyptian Blue Glazed Hieroglyphic Shabti
26th Dynasty, 664-525 B.C.Estimate: £1,500 - 2,000 (+bp*)
Opening Bid: £700
Of mummiform type, wearing a tripartite wig and long plaited divine beard, with arms crossed and the left hand holding a pick, the right hand holding a hoe and the cord of a seed bag hanging over his left shoulder; with carefully rendered cosmetic lines around the eyes, narrow eyebrows, and slightly smiling lips giving it a serene expression characteristic of the finest ushabtis of the period; standing on an integral plinth from which a plain back pillar terminating at the base of the wig extends; nine horizontal rows of hieroglyphic inscription, the Sixth Chapter of the Book of the Dead; water worn. 246 grams, 19 cm
Acquired on the German art market, 1989-1995. with The Museum Gallery, 19 Bury Place, London, WC1, UK, 1998-2003. Property of a London based academic, 2003-present.
Shabti figures could serve as a representation of the deceased and paradoxically also as their servant to carry out arduous manual tasks in the afterlife on behalf of their master. Late Period shabtis were most frequently made of faience, such as this example. The body of a shabti was usually in the form of a mummy from the neck down, depicted with agricultural tools in their hands, such as picks, hoes, and baskets. Chapter 6 from the Book of the Dead, lists the tasks expected of the magical figure. By the Late Period, hundreds of shabtis were often provided for the burial. -
Egyptian Faience Frog Scarab
Ptolemaic Period, circa 300 B.C.Estimate: £400 - 600 (‡+bp*)
Opening Bid: £200
Discoid base with crouching frog pierced longitudinally for threading; underside with a solar disc and unidentified symbol. 0.56 grams, 13 mm
Ex R. Liechti (1934-2010) Geneva, Switzerland, formed between 1950-1990s. Accompanied by a copy of an old collection inventory note.
