Egyptian Poppy Seed Amulet

Modelled in the round, with a dorsal pillar and a loop at the shoulder, the goddess is in hippopotamus form, with a human torso and arms and a crocodile tail. 7.9 grams, 50 mm



Private collection, Carouge, Switzerland, assembled in the 1980s-1990s. Thence by descent to the collection of Mr S.P., since 2020.

Stone plaque with raised relief depictions of the Apis bull and a falcon deity beneath; a mixed group of scarabs and scaraboids, most bearing text or motifs on the underside, including: a rope border enclosing the head of a lion wearing a sun disc and uraeus; a plain gold scaraboid; a line border enclosing the throne name of Amenhotep III (neb-maat-Re); an indeterminate standing figure; a central hes- vase flanked by rearing cobras; a group of hieroglyphs, perhaps a slightly incorrect spelling of the throne name of Amenhotep II (akheperu-Re); and a group of four hieroglyphs. 36.9 grams total, 14-35 mm



From the collection of a gentleman, acquired on the London art market in the 1990s.

With detailing to wings and body, loop for suspension above the head. 0.33 grams, 12 mm



Ex H Norri collection, Milton Keynes, Bedfordshire, UK, 1980s-1990s.

Although flies might seem like mere nuisances, the ancient Egyptians admired them for their speed, agility, and persistence. Fly-shaped amulets, first appearing in Naqada II burials around 3200 B.C., became particularly popular during the New Kingdom and afterwards. Made from materials such as gold, silver, faience, lapis lazuli, and bone, they served apotropaic functions, protecting against bites and warding off pests. Some may have also symbolised fertility. Gold fly pendants were even awarded by pharaohs to honour soldiers’ bravery and tenacity.