Egyptian Pale Blue Faience Shabti

Designs include: a line border encloses the standing figure of a falcon-headed deity wearing a sun disc and uraeus, standing before the hieroglyphs user, Maat, Re, setep, n, Re); a line border enclosing n, cobra, nefer, and neb signs; a line border enclosing numerous hieroglyphs, including those spelling the throne name of Thutmose III (men-kheper-Re); a falcon; and two plain scarabs. 13.18 grams total, 10-21 mm



From a London collection, 2000s, some previously ex Mustaki collection pre 1950. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The design of the first scarab incorporates Ramesses II’s throne name ‘the justice of Re is powerful, chosen of Re (user-Maat-Re setep-n-Re)

Carved in the round, pierced through the body for suspension. 298 grams, 19 mm



UK private collection before 2000. Acquired on the UK art market. Private collection, London, UK. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Frog amulets in ancient Egypt symbolised fertility, rebirth, and regeneration. Associated with the goddess Heqet, linked to childbirth and life-giving forces, these amulets were especially popular in contexts related to fertility and protection during pregnancy and childbirth. Their connection to the annual Nile flood, which brought new life to the land, further reinforced their symbolism of renewal and abundance.

A section of woven linen textile featuring lines of neat hieratic text in black. 5.61 grams, 16 cm



From the collection of a gentleman, acquired on the London art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

From the fifth century B.C., mummy wrappings for the affluent frequently display lines of hieratic script—a cursive variant of Egyptian hieroglyphs used for both daily and religious writings. These often include excerpts from funerary texts like the Book of the Dead, along with prayers and invocations designed to safeguard and guide the deceased in the afterlife. These texts, sometimes accompanied by vignettes, were inscribed directly on the linen strips before or during the mummification process. Some of these bandages could be remarkably long; one example from Brussels, measuring only 6.2 cm in width, spans an incredible 26 metres.