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LOT 0003
Egyptian Painted Wooden Mask
PTOLEMAIC PERIOD, CIRCA 3RD CENTURY B.C.
11 3/4 in. (1.04 kg, 30 cm).
D-shaped in plan with carved facial detailing, thick nose and full lips; painted bands to brow pierced in three places for attachment.
ProvenanceSwiss private collection, Zurich, assembled in the 1950s.
Private collection.
Acquired on the Zurich art market in 2013.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12847-241680.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. for a similar Mask Derbala, A., Müller, A., ‘Cartonnage to Plaster. Mummy Masks of the Ptolemaic and Early Roman Periods from Tuna el-Gebel’ in Archäologischer Anzeiger, 2022/2, fig.17, p.49.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 0003
Egyptian Painted Wooden Mask
Estimate £2,500 - 3,500€2,900 - 4,060 (for guidance only)$3,380 - 4,730 (for guidance only)
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Egyptian Faience Phallic Amulet
Ptolemaic-Roman Period, 323 B.C.-323 A.D.Sold for (Inc. bp): £46
Pendant plaque of male genitals with loop above. 1.08 grams, 17 mm
From an early 20th century collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Egyptian Haematite Mace Head
4th-3rd millennium B.C.Estimate: £600 - 800 (+bp*)
Opening Bid: £300
Globular body with short socket and thickened rim; accompanied by a custom-made display stand. 457 grams total, mace: 60 mm high
Ex Norman Fargo collection. with Olympia Auctions, 26 June 2024, no.119. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Norman Fargo was born in Los Angeles, California in 1945, the son of Hungarian immigrant Frank and his wife, Rose. His lifelong passion for collecting began at the age of six with a simple interest in rocks. By the 1960s, Norman had become a dedicated student of antique arms and armour, developing a deep appreciation for both craftsmanship and historical context. He began collecting at a time when many items now considered rare were still relatively accessible. A friendship with renowned collector Howard Curtis—whose important collection was partially sold at Christie’s, London in 1984—opened doors to early and exceptional material. Norman also acquired outstanding pieces from respected figures such as Frank Bivens and others known today through museum and auction catalogue provenance. Alongside his core collection of arms and armour (c.1450-1700), Norman developed an eye for period furniture and accessories. He also built a growing collection of Pre-Columbian art with an emphasis on Southern Mexican cultures, particularly Veracruz, as well as fine examples of Japanese Satsuma ware and cloisonné. -
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Egyptian Body of Anubis Glass Inlay
Late Period-Ptolemaic Period, 664-30 B.C.Sold for (Inc. bp): £208
With gently curved obverse and flat reverse, section of an inlay depicting Anubis, with thick neck and beginning of extended foreleg. 110 grams, 96 mm
Acquired on the French art market, 1980s. with Bonhams, London, 13 April 2011, lot 21. Accompanied by copies of the relevant Bonhams catalogue pages. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
This coloured glass inlay depicts Anubis, the jackal-headed god of mummification and protector of the dead. Likely part of a coffin or shrine, it demonstrates the use of glass to imitate precious materials in elite funerary art. The figure’s profile and predominantly black colour evoke Anubis’s role in preservation and the afterlife.
