Egyptian Orange Carnelian Poppy Head Amulet

Penannular in form with scale detailing to the shoulders, opposed serpent-head finials. 4.99 grams, 24.51 mm overall, 17.75 mm internal diameter (approximate size British N 1/2, USA 6 3/4, Europe 14.35, Japan 13)



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of Surrey, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Pale green transparent glass hoop with ellipsoid bezel, bevelled edge inlaid with a darker glass low-relief facing mask of the goddess Hathor with cow's ears and banded hairstyle. 17.65 grams, 39.43 mm overall, 20.51 mm internal diameter (approximate size British J, USA 4 3/4, Europe 8.69, Japan 8)



Acquired between 1965-2020. Private collection, London. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12484-229828. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Images of Hathor with a human face and cow ears combine her human and bovine aspects. She is shown with a serene human face, symbolising her nurturing nature, while the cow ears emphasise her roles in fertility and motherhood. Hathor was one of the most important deities in ancient Egypt, revered as the goddess of love, beauty, music, dance, fertility, and motherhood. She was also associated with joy, childbirth, and women’s health. Hathor was believed to protect and nurture, often depicted as a maternal figure. As such, she was closely linked with Isis. She was closely linked to the sun god Ra, acting as a cosmic force facilitating life. In funerary contexts, Hathor was also seen as a guide for the dead, helping them transition to the afterlife. Her multifaceted role made her one of Egypt's most widely worshipped goddesses.

An over-life-size head of a pharaoh, likely from a monumental sphinx, wearing the royal nemes headdress with a prominent headband and the remains of a rearing uraeus on the brow with a single coil of the body on either side of the cobra’s hood, its tail extending towards the back of the headdress; the large, almond-shaped eyes prominently outlined, and unlike on some portraits, the cosmetic lines do not extend beyond the outer corner; the fragmentary nose almost spanning the width of the small mouth modelled with straight and somewhat pursed lips; mounted on a custom-made display stand. 45.15 kg, 43 cm



Private collection, Germany, 1975. European collection, 1980s-late 1990s. By descent from the above to the present owner. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12201-218142. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The presence of tool marks around the neck and sides of the head, contrasting the smooth surface of the face and front part of the headdress, suggests that the sculpture is an unfinished piece. The noticeably heavy brow line is a feature of the 30th Dynasty style, which then influenced Ptolemaic royal portraiture (cf. Tomoum, N., The Sculptors' Models of the Late and Ptolemaic Periods, Cairo, 2006, pl.17, for a finished portrait assigned to the 30th Dynasty).