Egyptian Multi-Stranded Mummy Bead Necklace

Modelled in the round on a sledge attached by ventral and pectoral fins; with forked tail, a dorsal ridge, and a tapering nose, featuring recessed circular eyes to accept an insert, a horned sun disc headdress fronted by a uraeus, and a suspension loop behind. 203 grams, 11.5 cm



From the collection of a gentleman, acquired on the London art market in the 1990s.

Modelled seated on a tongue-shaped base, with simple facial detailing and suspension loop to the back. 0.51 grams, 8 mm



Ex French collection, early 20th century.

The goddess Bastet was believed to be the daughter of the sun god and was shown with the features of a lion up until about 1000 B.C. when she was first portrayed as a cat or human with a cat head. As the daughter of Ra she was associated with the rage inherent in the sun god's eye which was considered to be his instrument of vengeance. Her development into a cat goddess occurred during the New Kingdom but did not fully develop until the Late Period. She was still associated with the destructive power of the sun and was shown on the prow of the solar boat, decapitating the evil serpent Apophis in the Book of the Dead. The maternal, protective and hunting characteristics of the cat are obvious in Bastet and she was seen as a protector of pregnant women and young children. In the Pyramid Texts she is invoked by the deceased king to act as his protector and to help him reach the sky to join the sun god; the king proclaims that Bastet is his mother and nurse. Like her counterpart, Sekhmet, Bastet has an aggressive side and, in a text from Karnak, Amenhotep II described his enemies being slaughtered like the victims of Bastet. The goddess had a shrine at Karnak, where she is known as the 'Lady of Asheru' which aligns her closely with the goddess Mut, the consort of Amun-Ra. Her most famous shrine was in the north-east Delta region, at Bubastis, and was known as Per-Bastet or 'the House of Bastet.' Herodotus describes the festival of Bastet as one of the most elaborate in all of Egypt and identifies her with the Greek Artemis. Cemeteries of cats have been excavated at Bubastis and at Saqqara and Memphis.

Modelled in the round on a sledge attached by ventral and pectoral fins, a forked tail, a dorsal ridge, and a tapering nose, featuring recessed circular eyes filled with enamel, a horned sun disc headdress fronted by a uraeus, and a suspension loop behind; a few hieroglyphs of a dedication remain visible on the underside of the sledge, which may be interpreted as ‘….the great give life (to)…’ (…t wr rdi͗ Ꜥnḫ t….); presumably, 'the great' followed the name of a deity, now lost. 585 grams, 17 cm



Acquired from Gallery Reiner, Paris, France, 1981. Private collection, Europe. Accompanied by a copy of French passport no.150583 dated 29 November 2013. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12375-226676.

The Medjed, a type of elephant-snout fish (Mormyrus kannume), was revered in ancient Egyptian religion, particularly in Per-Medjed, better known by its Greek name, Oxyrhynchus Polis. This version of the name, meaning "city of the sharp-nosed," reflects the fish's distinctive appearance as depicted in Egyptian art. These fish were believed to have consumed the penis of Osiris, the god who was dismembered and scattered by his brother Seth. As sacred creatures, figurines of the Medjed were often adorned with a horned sun-disc headdress worn by the goddesses Hathor and Isis, suggesting a close association with both. Some figurines, like this example, featured suspension loops, allowing them to be worn as pendant amulets.