Egyptian Multi-Stranded Mummy Bead Necklace

Including drum-shaped types with marvered eye-motifs. 65 grams total, 10-25 mm



UK gallery, early 2000s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The category belongs to the cylindrical turquoise eye beads with dark blue and white decorations. Pre-Roman glass beads of this type, generally dated to the Iron Age (end of the ninth century B.C. to 218 B.C.), have been found in significant amounts in the Iberian Peninsula and the Balearic Islands, especially in Phoenician and Punic burial contexts.

Modelled in the round in a striding pose wearing a tight-fitting robe and sporting the Red (deshret) Crown of Lower Egypt; eyes inlaid with silver, an elaborate ornamental collar to the chest; the right arm hanging at the side, the left arm bent at the elbow with hand clenched to accept a staff, possibly a papyrus sceptre; mounted on a custom-made stand. 162 grams total, 12.7 cm including stand



From a 1940s collection based on the base and remains of label verso. From the Keane private collection, Kent, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12479-229477. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Neith is one of the oldest ancient Egyptian deities with roots in the Early Dynastic Period. She is often depicted as a woman wearing the Red Crown of Lower Egypt and carrying a sceptre, symbolising her divine power. As a warrior and mother figure, Neith embodies creation, wisdom, and warfare. Her cult rose in prominence during the Ramesside Period as she became linked with the sun god. The primary centre of her worship was the city of Sais in the western Nile Delta, which became a significant religious and political hub during the 26th Dynasty (664–525 B.C.). Kings of this era claimed her as their protector and identified with her in royal titles.

A pale blue-green faience mummiform shabti, with arms crossed and holding a hoe in each hand, wearing a tripartite wig with a headband with ties hanging down at the back; a seed bag suspended below the wig; the outline of the eyes, eyebrows, hoes, and seed bag painted black; a central column of hieroglyphs on the front reading: wsı͗r šmꜤyt n ı͗mn ns-ḫns.w ‘The Osiris, chantress of Amun, Nes-Khonsu.’ 166 grams, 12.2 cm



Ex German private collection. Acquired from Galerie BB-Antiken & Asiatika with stock reference no.366/08. From the private collection of a Belgian collector. Ex TimesAncient, Bristol, UK. Accompanied by a copy of the Galerie BB-Antiken & Asiatika certificate dated 1 December 2008. Accompanied by a copy of a previous catalogue entry. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Nes-Khnosu (and the variant Nesy-Khonsu) were common names during the Third Intermediate Period. However, the combination of the name and title in the dedication on this shabti is less common. It is possible that this shabti comes from tomb 339 at Deir el-Medineh in Western Thebes. The tomb was discovered by Bernard Bruyère in 1929 (Rapports préliminaires Deir el Médineh, Cairo, 1930, p. 89, 92), from where blue faience shabtis bearing the same dedication were recovered. Traditionally, chantresses were female performers who acted as dancers and rhythmic musicians. Like Nes-Khnosu, many were associated with temples and played significant roles in religious festivals.