Egyptian Multi-Stranded Mummy Bead Necklace

Small carved head with bobbed curly wig and and narrow hair band or diadem; surface slightly worn; mounted on a display stand. 29 grams, 35 mm (57.6 grams total, 10.4 cm)



Antoni Sikorski collection, London, formed between the 1950s and 1970s. with Chiswick Auctions, 11 May 2016, no.37 [Part]. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Although worn, the presence of the narrow diadem and curly hair suggest that the head might depict a Ptolemaic priest. For better-preserved examples of the type cf. Bothmer, B.V., Egyptian Sculpture of the Late Period 700 B.C. to A.D. 100, New York, 1960, pp. 178-179, pls. 128 and 129, 343; Spier, J., Potts, T., and Cole, S.E. (eds.), Beyond the Nile: Egypt and the classical world, Los Angeles, 2018, p. 169 no. 101.

The actor represented wearing a grotesque mask, with his legs flanking his enormous phallus and genitals above. 116 grams, 13.6 cm



The Erotica Collection Christian von Faber-Castell, Küsnacgt ZH, Switzerland, since the late 1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

From the 4th century B.C. onwards, small-scale sculptures developed a rich repertoire of grotesque types. These so-called grotesques were an enhancement of the Hellenistic interest in the human body and its weaknesses and imperfections by depicting disfigured individuals. According to some scholars, terracotta (and bronze) figurines of this kind were life-like representations of beggars and others who gathered at big feasts in temples or at the houses of the wealthy. In the latter case, they indicated the importance and wealth of the host because the more beggars an event attracted, the greater the fortune of the event organiser. By implication, the bronze and terracotta portraits of these marginal people could have become symbols and charms of good luck that would have been placed in private houses. This image in particular, has evolved from the ithyphallic Harpocrates terracottas. Christian von Faber-Castell (born 1950) is a renowned German entrepreneur and art collector, best known as a member of the prominent Faber-Castell family, famed for their iconic writing instruments. A passionate advocate for art and culture, Christian von Faber-Castell curated an extensive and diverse private collection of erotica, spanning centuries and cultures. His collection reflects a deep appreciation for the interplay of beauty, sensuality, and artistic expression, bringing together rare and unique works that explore themes of intimacy and human connection. Pieces from this collection have been featured in notable exhibitions and are celebrated for their artistic and historical significance. This offering represents a rare opportunity to acquire works from one of the most fascinating and eclectic private collections of its kind.

Naturalistically modelled with detailing to the upper body and legs; damaged base with the throne name 'neb-maat-re' of Amenhotep III in cartouche and the god's name Amun-Re below; pierced for suspension. 41 grams, 44 mm



Ex R. Liechti (1934-2010) Geneva, Switzerland, collection between 1950-1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.