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LOT 0486
Egyptian Mounted Coptic Textile with Heart Motifs
CIRCA 4TH CENTURY A.D.
16 1/4 x 10 1/4 in. (122 grams, 41 x 26 cm).
Comprising a clavus with a band of heart motifs, framed by a straight border of straight segments decorated with geometric motifs. [No Reserve]
ProvenanceAcquired 1970s-1996.
Property of a North American collector.
London collection, 2016.
Cf. Forrer, R., Die frühchristlichen Alterthümer aus dem Gräberfelde von Achmin-Panopolis, Strassburg, 1893, pl.VIII, no.4, for similar.
FootnotesTapestry technique on natural purple wool and linen. It is highly probable that this tapestry was part of a tunic decoration, a clavus, running vertically on the breast and on the back of it.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Large Egyptian Stone Hieroglyphic Scarab for Amenhotep III
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Opening Bid: £500
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Egyptian Limestone Relief with Bound Asiatic Captive
New Kingdom, 19th Dynasty, circa 1250 B.C.Estimate: £7,000 - 9,000 (+bp*)
Opening Bid: £3,500
Sub-rectangular with keyhole-shaped aperture to the lower right edge; low-relief figure in profile wearing a tunic with circular neckline, bobbed hair swept behind the ears, sharp facial features with short goatee beard; bands of vertical fluting. 14.5 kg, 37.5 cm high
Acquired 1970s-1996. Property of a North American collector. London collection, 2016. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no. 11830-207550.
The features and hairstyle of the figure resemble closely those of Asiatic captives shown on the outer wall of the temple of Ramesses II at Abu Simbel, Egypt. It is likely that the Egyptian artists from the time of Thutmose III onwards had frequent opportunities to observe the foreigners who came, or were brought into Egypt. It is likely that the Egyptian artists were interested in differentiating the various peoples encountered by the armies on their campaigns northward during the New Kingdom. The remains of a circular aperture behind the figure probably indicates that the slab was re-used as a grindstone or a door pivot in ancient times.