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LOT 0421
Egyptian Mixed Scarab and Scaraboid Collection
2ND-1ST MILLENNIUM B.C.
1/2 - 7/8 in. (13 grams total, 11-23 mm).
Comprising (from left to right, top to bottom): 1) a scarab with an oval border containing a goose, nefer(?), and a reed leaf; 2) a scarab with an oval border featuring a triple lotus flower motif at the top and bottom, with a middle row of floral bundles; 3) a scaraboid with a long oval border containing a cross pattern incorporating scrolls, coiled cords, and floral elements; 4) a scarab with an oval border featuring a hes-jar flanked by two cobras; 5) a scarab with a standing male figure holding a sceptre/mace and a flail, flanked by two highly stylised rearing cobras; 6) a plain scarab; 7) and a scarab with an oval border containing the name Amun-Re, a neb symbol, and a lotus flower. [7]
ProvenanceFrom the collection of a gentleman, acquired on the London art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. 1) Matouk, F.S., Corpus du scarabée égyptien. Vol. 2: Analyse thématique, Beirut, 1976, p. 393, nos. 1029-1032, for examples of scarab motifs incorporating a goose, reed leaf, and other symbols; 2) Ben-Tor, D., Scarabs, Chronology, and Interconnections: Egypt and Palestine in the Second Intermediate Period, Fribourg/Göttingen, 2007, pl. 32, no.2, for a similar example, but with two central rows of floral bundles; 3) Ben-Tor, D., Scarabs, Chronology, and Interconnections: Egypt and Palestine in the Second Intermediate Period, Fribourg/Göttingen, 2007, pl. 68, no. 10, for a comparable design of a Caananite scarab; 4) Matouk, F.S., Corpus du scarabée égyptien. Vol. 2: Analyse thématique, Beirut, 1976, p. 395, no.1152, for a scarab with a horizontal arrangement of the same motif; 5) Matouk, F.S., Corpus du scarabée égyptien. Vol. 2: Analyse thématique, Beirut, 1976, p. 402, no. 1662, for a similarly-themed scarab; 7) Ben-Tor, D., The Scarab: A Reflection of Ancient Egypt, Tel Aviv, 1993, p.73, no.1, for similar.
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AUCTIONS:
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Egyptian Mosaic Glass Amphora
Ptolemaic Period, 332-30 B.C.Sold for (Inc. bp): £364
Mosaic glass amphora with trumpet mouth, applied lateral loop handles, bands of marvered trails; mounted on a custom-made stand. 35 grams total, 62 mm including stand
Ex Mayfair, London, UK, gallery, 1990s-2000s. From an important collection of glass, the property of a London gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Hall, E.H., 'A Collection Made of Antique Glass,' The Museum Journal IV, 4 (1913), p.120, fig. 96, for examples of this vessel type. -
Egyptian Green Glazed Faience Amulet of Nephthys
Late Period, 26th Dynasty, circa 664-525 B.C.Estimate: £400 - 600 (+bp*)
Opening Bid: £200
Depicting the goddess Nephthys wearing the two hieroglyphic parts of her name (Neb(et)-Hut), with dorsal pillar and base. 2.68 grams, 37 mm
with B.M.S., Switzerland. Private collection, London, UK, acquired from the above on 14 September 1981. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Nephthys was a protective goddess linked to mourning, magic, and the afterlife. As the sister of Isis, she played a vital role in the funerary rites of Osiris. Amulets like this were placed on the deceased to invoke her protection and aid in rebirth. Typically made of faience or semi-precious stone, they were especially common in the Late Period. -
Egyptian Haematite Mace Head
4th-3rd millennium B.C.Estimate: £600 - 800 (+bp*)
Opening Bid: £300
Globular body with short socket and thickened rim; accompanied by a custom-made display stand. 457 grams total, mace: 60 mm high
Ex Norman Fargo collection. with Olympia Auctions, 26 June 2024, no.119. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Norman Fargo was born in Los Angeles, California in 1945, the son of Hungarian immigrant Frank and his wife, Rose. His lifelong passion for collecting began at the age of six with a simple interest in rocks. By the 1960s, Norman had become a dedicated student of antique arms and armour, developing a deep appreciation for both craftsmanship and historical context. He began collecting at a time when many items now considered rare were still relatively accessible. A friendship with renowned collector Howard Curtis—whose important collection was partially sold at Christie’s, London in 1984—opened doors to early and exceptional material. Norman also acquired outstanding pieces from respected figures such as Frank Bivens and others known today through museum and auction catalogue provenance. Alongside his core collection of arms and armour (c.1450-1700), Norman developed an eye for period furniture and accessories. He also built a growing collection of Pre-Columbian art with an emphasis on Southern Mexican cultures, particularly Veracruz, as well as fine examples of Japanese Satsuma ware and cloisonné.
