Egyptian Marble Head of a Queen

Of mummiform type, wearing a tripartite wig and long plaited divine beard, with arms crossed and the left hand holding a pick, the right hand holding a hoe and the cord of a seed bag hanging over his left shoulder; with carefully rendered cosmetic lines around the eyes, narrow eyebrows, and slightly smiling lips giving it a serene expression characteristic of the finest ushabtis of the period; standing on an integral plinth from which a plain back pillar terminating at the base of the wig extends; nine horizontal rows of hieroglyphic inscription, the Sixth Chapter of the Book of the Dead; water worn. 246 grams, 19 cm



Acquired on the German art market, 1989-1995. with The Museum Gallery, 19 Bury Place, London, WC1, UK, 1998-2003. Property of a London based academic, 2003-present.

Shabti figures could serve as a representation of the deceased and paradoxically also as their servant to carry out arduous manual tasks in the afterlife on behalf of their master. Late Period shabtis were most frequently made of faience, such as this example. The body of a shabti was usually in the form of a mummy from the neck down, depicted with agricultural tools in their hands, such as picks, hoes, and baskets. Chapter 6 from the Book of the Dead, lists the tasks expected of the magical figure. By the Late Period, hundreds of shabtis were often provided for the burial.

Comprising four fragments of dressed and plastered wall, each with painted hieroglyphs in blue, green and black shades, some with low-relief modelling. 1.03 kg total, 10.1-27.7 cm



Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s.

These fragments seem to be sections of tomb wall reliefs. They include portions of an offering formula, mention of a 'district', a festival, and the symbol of Anubis. The decoration in different parts of some Middle Kingdom tombs had scenes and texts applied in paint or executed with raised relief carving.

The S-curved body resting on a tongue-shaped based, detailed hood, and delicate details to the head of a lioness; wrapped in a gold frame with suspension loop. 2 grams, 18 mm



Private collection of Mr K.A. Private collection, Europe, 26 June 2009.

This amulet likely represents a goddess, either Sekhmet or Wadjet. Sekhmet is typically depicted as a lioness or lion-headed woman, while Wadjet appears in the form of a cobra. The lion-headed cobra form can be an allusion to the uraeus, worn on the crowns of royalty and deities for protection.