Egyptian Limestone Grave Figure

Restrung group of spherical, cylindrical, three jasper poppy seed head amulets, and other beads. 14.34 grams, 43 cm



Ex Israel collection, 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The head of goddess Bastet modelled in the round with alert ears and eyes, fine whisker detailing to the gently elongated muzzle, hair detailing to the inner edges of the ears and the lower outer edges pierced to accept separate earrings, incised scarab on the top of the head. 92.5 grams, 58 mm



Elizabeth Helene Demarest Osten Driesen (1892-1931). Given as a gift to her granddaughter, Lady Annabel Sutherland, by descent in the late 1960s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12762-237137. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

In ancient Egypt, the cat was venerated as the sacred animal of the goddess Bastet, whose principal cult centre was Bubastis in the Nile Delta. Although cats were once part of folk practice, their veneration as part of formal cults spread across Egypt during the Late Period. Bastet was closely linked to lion-headed goddesses like Sekhmet, Tefnut, and Pakhet, and the cat itself became associated with solar imagery: the Book of the Dead portrays the sun god as a Great Cat vanquishing Apophis beneath the sacred Ished Tree. The cat could also embody the Eye of the Sun or, more often in Bastet’s case, the Eye of the Moon. Mummified cats were frequently dedicated as votive offerings, and some of their feline-shaped coffins were adorned with finely crafted bronze heads to enhance their divine likeness.

White stone sclera with black stone iris, green stains visible on edges from copper rims. 10.5 grams total, 30-32 mm



Acquired on the UK art market, 1977-1979. Private collection, London. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Egyptian coffin eye inlays were both decorative and symbolic, intended to make the coffin appear lifelike and assist the deceased in the afterlife. Typically, they featured a white sclera (glass, alabaster or quartz), a dark iris (glass or often obsidian), and sometimes red paint at the inner corner. The eyes were often set in bronze or copper frames, occasionally with faience or bronze eyebrows.