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LOT 0054
Egyptian Limestone Fresco with Servant Carrying Geese
NEW KINGDOM, 1580-1077 B.C.
16 x 12 5/8 in. (6.8 kg, 40.5 x 32.2 cm).
Rectangular frieze fragment with advancing figure in profile wearing a shendyt kilt holding up two poles in his raised hands; to his rear, part of a second figure with an openwork wooden frame (footstool) and other items; mounted in sturdy wooden frame with suspension rings to the reverse; surface has been extensively cleaned, restored, and repainted.
ProvenanceMounted in an early 20th-century wooden frame bearing a stamped inscription reading “Exposition Paris …”
From the collection of L.V. (1950-1960), Paris, France.
Collection of Monsieur X. (1931-2017), dispersed for the benefit of the Monaco Red Cross.
Private collection, Europe.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.13224-249307.
Cf. similar scenes in the Tomb of Ukh-hotep son of Senbi at Meir in Blackman Aylward M. The rock tombs of Meir, Part 2, The tomb-chapel of Senbi's son Ukh-Hotp (B, no. 2), with two appendixes of hieroglyphs and other details in B, nos 1,2, 4., The Offices of the Egypt Exploration Fund, Cairo, 1953.
FootnotesThe servant is carrying geese, like in many other representations of the New Kingdom. Many portrayals of ducks and geese in ancient Egyptian art show the importance of the birds as food. Servants plucking geese are visible in the tomb of Nakht, in Luxor (1567-1320 B.C.), and in the famous tomb of Nebamun, at the British Museum, a fresco fragment shows workers standing in front of a gaggle of geese.
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AUCTIONS:
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LOT 0054
Egyptian Limestone Fresco with Servant Carrying Geese
Sold for (Inc. bp): £9,100
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Egyptian Gold Bastet Seated Cat Amulet
Late New Kingdom-Third Intermediate Period, circa 1069-900 B.C.Sold for (Inc. bp): £468
Modelled seated on a tongue-shaped base, with simple facial detailing and suspension loop to the back. 0.51 grams, 8 mm
Ex French collection, early 20th century.
The goddess Bastet was believed to be the daughter of the sun god and was shown with the features of a lion up until about 1000 B.C. when she was first portrayed as a cat or human with a cat head. As the daughter of Ra she was associated with the rage inherent in the sun god's eye, which was considered to be his instrument of vengeance. Her development into a cat goddess occurred during the New Kingdom but did not fully develop until the Late Period. She was still associated with the destructive power of the sun and was shown on the prow of the solar boat, decapitating the evil serpent Apophis in the Book of the Dead. The maternal, protective and hunting characteristics of the cat are obvious in Bastet, and she was seen as a protector of pregnant women and young children. In the Pyramid Texts, she is invoked by the deceased king to act as his protector and to help him reach the sky to join the sun god; the king proclaims that Bastet is his mother and nurse. Like her counterpart, Sekhmet, Bastet has an aggressive side and, in a text from Karnak, Amenhotep II described his enemies being slaughtered like the victims of Bastet. The goddess had a shrine at Karnak, where she is known as the 'Lady of Asheru', which aligns her closely with the goddess Mut, the consort of Amun-Ra. Her most famous shrine was in the north-east Delta region, at Bubastis, and was known as Per-Bastet or 'the House of Bastet.' Herodotus describes the festival of Bastet as one of the most elaborate in all of Egypt and identifies her with the Greek Artemis. Cemeteries of cats have been excavated at Bubastis, and at Saqqara and Memphis. -
Egyptian Terracotta Flask
New Kingdom, 1550-1069 B.C.Sold for (Inc. bp): £468
Pouch-shaped body with trumpet-shaped mouth and lateral loop handles. 191 grams, 10.5 cm
Acquired at a London antiques fair in the 1990s. From the private collection of a Devon, UK, lady. -
Egyptian Faience Shabti Collection
Late Period-Ptolemaic Period, 664-30 B.C.Sold for (Inc. bp): £468
Comprising mainly D-section types with moulded facial detailing some with vertical band of hieroglyphs to the lower body. 11.1 grams total, 67-72 mm
From the collection of a gentleman, acquired on the London art market in the 1990s.
