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LOT 0021
Egyptian Lapis Lazuli Scarab
750-332 B.C.
1 7/8 in. (34.6 grams, 48 mm).
Modelled in the round with detailed head and legs, plaque with attachment hole at each corner.
ProvenanceOld private French collection.
Anonymous sale, Beaussant Lefevre, Paris, 2015.
Private European collection, 2015.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
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AUCTIONS:
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Egyptian Glass Eye Inlay Pair
Ptolemaic Period, 332-30 B.C.Sold for (Inc. bp): £208
The sclera white and the iris black. 4.12 grams total, 27-29 mm
Acquired on the UK art market, 1977-1979. Private collection, London. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Egyptian coffin eye inlays were both decorative and symbolic, intended to make the coffin appear lifelike and assist the deceased in the afterlife. Typically, they featured a white sclera (glass, travertine, alabaster or quartz), a dark iris (glass or often obsidian), and sometimes red paint at the inner corner. The eyes were often set in bronze or copper frames, occasionally with faience or bronze eyebrows. -
Egyptian Light Blue Faience Hippopotamus Amulet
Late Period, 664-332 B.C.Sold for (Inc. bp): £195
Blue glazed figure modelled in the round as a standing hippopotamus, pierced to the centre. 3.63 grams, 20 mm
From an early 20th century collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
In ancient Egypt, hippos symbolised both danger and protection, representing chaos and fertility. Feared for their aggression along the Nile, they were also associated with the protective goddess Taweret and the river’s life-giving power. -
Egyptian Green Glass Winged Goddess Pectoral
Ptolemaic Period, 300-30 B.C.Sold for (Inc. bp): £1,950
A fragmentary rectangular-section figure of a kneeling goddess with outstretched wings; accurate detailing to the goddess, wearing a tripartite wig with a seshed headband tied at the back, a menat broad collar and a tightly wrapped sheath held up by two straps leaving the breasts exposed, the dress decorated with a lozenge pattern possibly representing beadwork. 15.3 grams, 54 mm
Swiss private collection, 1970s. Galerie Nefer, Zurich, early 1990s. with Christie's New York, 9 December 2008, no.39. Accompanied by copies of the relevant Christie's catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12843-241338. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Although it is not possible to spot holes in the upper and lower edges, this figure was probably a pectoral or chest ornament with an apotropaic function that would have been attached to the wrapping of the mummy.
