Egyptian Harpocrates Amulet

A pale green glazed composition figure of Thoth in ibis-head form, plain dorsal pillar, pleated kilt, tripartite wig; old collector's inked accession number 'E.1000' to the reverse; repaired. 44.7 grams, 88 mm high



Ex Roger Liechti collection, Geneva, Switzerland. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11595-199013.

One of the most prominent of the ancient Egyptian gods, Thoth was associated with writing, magic and wisdom, and was credited with founding a number of branches of knowledge including law, religion and science. He is believed to have been self-created or grown from the seed of Horus from the forehead of Set. As the son of the gods of order and chaos, he was also the god of equilibrium. As such, he was considered a just and infallible judge. Worshipped from the Pre-Dynastic to the Ptolemaic Period, Thoth was one of the longest, continuously worshipped gods from any civilisation. Thoth's Egyptian name was Djehuty (also dhwty) meaning ‘He Who is Like the Ibis’, a sacred bird in ancient Egypt as well as a popular pet associated with wisdom.

A vibrant blue-glazed mummiform shabti of princess Nesitanebisheru, daughter of Pinudjem II, on a custom-made display stand; modelled with arms crossed over the chest, holding a hoe in each hand, wearing a tripartite wig; netted seed bag painted on the back; the bottom half of the figure bearing eight columns of hieroglyphic text in black giving a version of the shabti spell reading: (1) The illuminated one, the Osiris Nesitanebisheru, she says: (2) ‘O this shabti, if one counts, if one reckons to do (3) for the Osiris Nesitanebisheru, to cultivate the fields, (4) to irrigate the riparian lands, to transport by boat the sand of (5) the east (to) the west and vice-versa – now indeed obstacles are implanted (6) therewith – as a man at his duties (to do for ?) (7) the Osiris Nesitanebisheru, to do all the works that are to be done (8) in God’s land at any time to serve, ‘here I am,’ (you shall say). 314 grams total, 16.5 cm high including stand



The object comes from the well known Deir el-Bahari cache (near Thebes) first discovered in 1870. Ex Zurich Antiquities Fair. Ex R. Liechti, Geneva, acquired from the above. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11598-198961.

Nesitanebisheru’s burial was discovered in the famous ‘Royal Cache I’ at Deir el-Bahari (DB 320), with many dozens of coffins and vast quantities of funerary equipment belonging to pharaohs, including Thutmose III and Ramesses II, queens, and other royals, as well as elite members of society that had been reburied by Amun priests to hide them from tomb robbers. Nesitanebisheru’s coffin and burial equipment, including her shabtis, were found at the very end of the c. 70m long tomb in a chamber which served as a family vault for her father, the High Priest of Amun, Pinudjem II, and his principal wife Neskhons. While her worker shabtis are all mostly similar in style with 6-8 text columns, the composition of their inscriptions are not consistent with different openings and variations to the content (often including several peculiarities). Curiously, her titles do not appear in her shabti inscription, unlike those for her mother.

A red glass insert of a profile face with remains of a pharaonic crown to the forehead. 16.7 grams, 31 mm wide



Ex Joseph Altounian (1889-1954), Paris and Macon, thence by decent. with Christie's, London, 3 July 2018, lot 29. English private collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11603-199738.

Joseph Altounian opened his shop in 1906 in Paris and then relocated to Mâcon in 1924 when he was joined by his wife Henriette Lorbet. They specialised in Egyptian and Greek art, medieval sculpture and decorative arts, selling to major museums both in Europe and in the United States. At his death in 1954 the business was taken over by his daughter, Jacqueline Altounian-Lorbet, and her husband Bernard Rousset, who then specialised in antique furniture.