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LOT 0513
Egyptian Hardstone Heart Scarab
LATE PERIOD, 664-332 B.C.
1 1/4 in. (16.6 grams, 33 mm).
With stylised geometric ribbed carapace and underside.
ProvenanceFrom an early 20th century collection.
Ex London, UK, gallery.
From a private UK collection
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Tinius, I., Altägypten in Braunschweig. Die Sammlungen des Herzog Anton Ulrich-Museums und des Städtischen Museums, Wiesbaden, 2011, 179, no. 356, for a scarab with similar body modelling.
FootnotesThe scarab amulet was one of ancient Egypt’s most widespread symbols, signifying rebirth, transformation, and protection. Modelled on the dung beetle associated with the sun god Khepri—believed to roll the sun across the sky—it symbolised the cycle of life and renewal. Widely used from the early Middle Kingdom onwards, scarabs served as funerary amulets (as here), personal charms, and seals, often inscribed with prayers or names. They reflect both spiritual beliefs and daily life in ancient Egypt.
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LOT 0513
Egyptian Hardstone Heart Scarab
Estimate £500 - 700€580 - 810 (for guidance only)$680 - 950 (for guidance only)
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Barrel-shaped in profile with low rim and two lateral pierced lug handles. 103 grams, 53 mm
From the private collection of a Canadian gentleman living in Essex, UK, formed since the 1920s-circa 1990. Property of an Essex lady until the late 1990s; thence by descent. From the private collection of an Essex gentleman since the late 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Egyptian Bronze Ibis Attachment
Late Period, 664-332 B.C. or laterEstimate: £150 - 200 (+bp*)
Opening Bid: £75
Modelled in the round squatting on an ellipsoid base, lug to the underside, repaired. 114 grams, 60 mm
From the collection of a gentleman, acquired on the London art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The ibis, particularly the sacred species known as the Egyptian ibis (Threskiornis aethiopicus), held a prominent place in ancient Egyptian religion and culture as a manifestation of the god Thoth. Revered as the deity of wisdom, writing, and knowledge, Thoth was often depicted in human form with the head of an ibis. During the Late Period onwards, the practice of mummifying ibises became widespread, leading to the creation of vast necropolises dedicated to these sacred birds. In places like Saqqara and Hermopolis, thousands of ibis mummies have been discovered in specially constructed catacombs. The mummification of these birds was not merely a ritual act; it was seen as a sacred offering to Thoth, meant to honour the god and seek his favour. Egyptians believed that by preserving the ibis through mummification, they could ensure its safe passage to the afterlife, establishing a direct connection between the earthly realm and the divine. These mummies were often accompanied by votive offerings, like this bronze figurine, further emphasising the relationship between the ibises and Thoth. -
Egyptian Multi-Stranded Mummy Bead Necklace
Late Period, 664-332 B.C.Sold for (Inc. bp): £312
Multi-stranded designer necklace composed of polychrome beads of mainly annular types. 26 grams, 72 cm
Acquired before 1979. From the private collection of Mr F.A., South Kensington, London, UK; thence by descent 2014. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
For thousands of years, artisans in Egypt created vibrant ceramics to echo the beauty of rare jewels. These ornaments were created with almost every material, colour, and texture imaginable and they come from across Egypt and beyond: vibrant blue lapis lazuli from Afghanistan, glossy black obsidian from Turkey, and aqua-green turquoise from the Sinai. They were worn in life and, after death, they served as precious ornamentation for mummies.