Egyptian Hardstone Hair Ring

Blue glazed turtle amulet or bead with flat base and incised lines to each leg, pierced for suspension. 0.76 grams, 11 mm



From an early 20th century collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Turtle amulets have a rich history in ancient Egypt. The turtle was considered to possess a dual character. On one hand, it lived in the dark depths, embodying cosmic danger and was ritually annihilated. On the other hand, its power could be harnessed to ward off evil and work to the advantage of people, making turtle amulets a potent symbol of protection.

Carved in the round with a detailed tripartite wig, segmented collar, and seed bag across the back, the figure has hands crossed at the chest, each holding a hoe, and wrists adorned with bracelets; eight bands of hieroglyphic text encircle the lower body, interrupted by a vertical column at the front, running from midriff to feet; mounted on a later copper base. 147 grams, 23 cm



From the collection of Mrs Kilvert, who fled from France to England during the French Revolution. Received by gift to the Hodge family from Mrs Kilvert at Bath in 1864-1865; thence by descent to the grandchildren of Mr John Hodge, a private London tutor. From the collection of a New Zealand family; thence by descent. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12845-239091. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Comprising a group of crumb-decorated polychrome oblate beads and a centrepiece pendant formed as a stylised bearded head. 179 grams total, 12-42 mm



From the collection of a gentleman, acquired on the London art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The Phoenicians, renowned seafarers and traders, were also skilled glassworkers. They produced a wide variety of glass beads using core-forming and winding techniques, with vivid colours and elaborate designs that reflect both technical mastery and cross-cultural influence. Among the most iconic Phoenician beads are glass 'head' beads, crafted in the form of stylised human or mythological faces. Typically, they feature exaggerated facial details like bulging eyes, large noses, beards, and headdresses, often with expressive or comic features. They were possibly worn as amulets to ward off evil or attract protection, though they may also represent deities, ancestors, or foreigners. These beads often incorporate Egyptian, Greek, and Near Eastern stylistic elements, reflecting the Phoenicians’ extensive trade networks.