Egyptian Hardstone Architectural Amulet

Relief fragment with dressed face and three edges; the feet and lower body of a human figure in profile wearing a tight-fitting calf-length garment on a baseline; the left forearm behind with hand holding a goose by its pinions; to the left a series of ḥtp hieroglyphs. 3.57 kg, 18.7 cm



Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12366-226937.

This likely represents part of an offering scene, showing the individual bringing a goose and the hieroglyphs writing ḥtpt, probably part of a phrase referring to 'offerings'.

Of mummiform type, wearing a tripartite wig, stylised facial features with large ears, hands crossed at the chest; a contrasting green-glazed frontal column of hieroglyphic text with a cartouche which reads wsỉr nswt wrt Ꜣst-nfr.t, ‘The Osiris, the great king's wife Iset-nofret’. 88 grams, 10.8 cm



Acquired on the German art market, 1989-1995. with The Museum Gallery, 19 Bury Place, London, WC1, UK, 1998-2003. Property of a London based academic, 2003-present. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12373-226026.

Several late New Kingdom queens were named Iset-nofret, but this particular example is likely associated with one of the two wives of Ramesses II who had the same name. One of these queens gave birth to Prince Khaemwaset and is mentioned on monuments erected by him. While it is possible that the queen's shabtis were used for funerary purposes, Khaemwaset is known to have placed his own shabtis as votives in non-sepulchral locations in the Memphite necropolises, and it is possible that he also did the same with shabtis naming his mother. For a discussion of the Ramesside queens with this name, see Tyldesley, J., Chronicle of the Queens of Egypt, London, 2006, p.154ff.

Of mummiform type, wearing a tripartite wig and long plaited divine beard, with arms crossed and the left hand holding a pick, the right hand holding a hoe and the cord of a seed bag hanging over his left shoulder, with carefully rendered cosmetic lines around the eyes, narrow eyebrows, and slightly smiling lips giving it a serene expression characteristic of the finest ushabtis of the period; standing on an integral plinth from which a plain back pillar terminating at the base of the wig extends; six horizontal rows of hieroglyphic inscription, the Sixth Chapter of the Book of the Dead; water worn and repaired. 248 grams, 18.5 cm



Acquired on the German art market, 1989-1995. with The Museum Gallery, 19 Bury Place, London, WC1, UK, 1998-2003. Property of a London based academic, 2003-present.