Egyptian Hardstone and Faience Necklace

Large wedjat-eye amulet with incised human and falcon elements. 11.7 grams, 38 mm



From the private collection of the late Mrs Belinda Ellison, a long time member of the Egyptian Exploration Society, c.1940-2020. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The wedjat-eye amulet is a representation of the healed eye of the god Horus, featuring both human and falcon elements. The name wedjat in ancient Egyptian means ‘the one that is sound.’ According to Egyptian mythology, Horus' eye was wounded or taken by the god Seth and restored by Thoth. The wedjat-eye amulet was thought to protect its wearer and bestow the power of recovery and regeneration onto them. It was very popular and used by both the living and the dead.

A netted beadwork panel of annular and tubular glazed composition beads depicting a mummy face mask with a false beard, a scarab with extended wings below, and beneath the 'Four Sons of Horus’, Hapy, Imsety, Qebehsenuef, and Duamutef, joined together with areas of open netting of tubular examples; restrung with some later beads. 145 grams, 32 cm



Mariaud de Serres, Paris, 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The Four Sons of Horus were deities responsible for protecting the deceased's internal organs. The human-headed Imsety protected the liver, the baboon-headed Hapy protected the lungs, the jackal-headed Duamutef protected the stomach, and the falcon-headed Qebehsenuef protected the intestines. These internal organs were often placed in canopic jars with the head of the respective Son of Horus.

Modelled as a seated plump fertility figure; the right hand touching the pubic area beneath the rounded abdomen, a garland upon her propoloma and thick braids falling on her shoulders, smooth back with a vent hole. 213 grams, 13 cm



The Erotica Collection Christian von Faber-Castell, Küsnacgt ZH, Switzerland, since the late 1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Baubo was a minor divinity of the Greek mythology, linked to the cult of Demeter and Persephone. The statuette belongs to the second type of Baubo figurines, widespread in the last Ptolemaic and Roman period in Egypt. The Egyptian Baubo are split into two groups, and this one belongs to the first group depicting a woman seating frontally whilst holding a musical instrument. In some of these figurines her right hand is touching her genitalia. Many of them were used as amulets or as ex-voto. Christian von Faber-Castell (born 1950) is a renowned German entrepreneur and art collector, best known as a member of the prominent Faber-Castell family, famed for their iconic writing instruments. A passionate advocate for art and culture, Christian von Faber-Castell curated an extensive and diverse private collection of erotica, spanning centuries and cultures. His collection reflects a deep appreciation for the interplay of beauty, sensuality, and artistic expression, bringing together rare and unique works that explore themes of intimacy and human connection. Pieces from this collection have been featured in notable exhibitions and are celebrated for their artistic and historical significance. This offering represents a rare opportunity to acquire works from one of the most fascinating and eclectic private collections of its kind.